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Sunday, September 13, 2026

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Charles Lewis III

Charles Lewis III
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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Drama Masks: Killing My Lobster sinks its claws into ‘Hysterical Historium’

The saucy veteran sketch troupe finally returns with a full-on Gold Rush era-set show—and kids in the audience?
Onstage

Fall Stage Preview: Grab a seat (or run for your life) at these 11 great local productions

Margaret Cho's punch-up, an immersive slasher, giant alien puppets, a bridge-spanning 'Lear,' a burlesque bonanza, much more
Stage Review

Drama Masks: A message of trans power delivered with operatic oomph

As SF Opera aims to cut its workers' pay, Opera Parallèle celebrated resistance with 'Revolution is Just the Beginning.'
Stage Review

Drama Masks: A drag disaster to die for

Farewell, Dolly Parton. And hello 'Disastrous!'—D'Arcy Drollinger's latest uproarious sendup of '70s genre flicks.
Stage Review

Drama Masks: A sensitive Julius Caesar, lost in the ’70s shuffle

Marin Shakes' bold, beautiful, but muddled adaptation humanizes a tyrant at the expense of message or meaning.
Stage Review

Drama Masks: A play every Silicon Valley acolyte should be forced to watch

La Lengua's shockingly current latest. Plus: Tennessee Williams' 'Orpheus Descending' gets a curious switch-up.
Stage Review

Drama Masks: Forget AI, you’re in ‘Urinetown’ now

Ray of Light's latest triumph is awash with talent. Plus: 'In a Memory Palace' at Z Space used Noh to haunting effect.
Stage Review

Drama Masks: Olivia Bratko is here to let you know that you’re not crazy

Performer's latest solo show at The Rhino throws everything you can imagine into a wild and funny hour of catharsis.
Stage Review

Drama Masks: Drag haven Oasis reopens with a bang—and some questions

Plus: 'Beauty and the Beast' is a tale as old as time, and 'The Prince, Part 1' sets wily classic in motion.
Stage Review

Drama Masks: Who ya gonna call? ‘Scabmuggers’

As job-stealing AI creeps onto the local theater scene, Yvonne Martinez's new play dives into labor politics.
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