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Monday, March 18, 2024

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Daniel Bromfield

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Daniel Bromfield is a San Francisco native and arts journalist whose work has appeared in the Bay Guardian, San Francisco Magazine, Resident Advisor, and various music sites. He ran the SF Rebirth blog, documenting all-ages shows in the Bay Area, from 2010 to 2013. His work can be found at danielbromfield.com

Noise Pop report: Chiquimamani-Condori rebuked the algorithm at Gray Area

Bolivian American noise artist cut through autoplay BS for adoring fans; UK headliner Actress was not so steady.

Noise Pop report: Diode diva Suzanne Ciani channeled Grace Cathedral’s ambient majesty

Kiss the Buchla: One of our most vital electronic music trailblazers took an awe-struck crowd to church

Ann Annie scales modular marvels to chamber music heights

Eli Goldberg's project, named for a Himalayan peak, expands from electronic landscapes to acoustic collaboration

The primordially horrifying wavelength of ‘Skinamarink’

Balboa Theatre hosts the film phenomenon that taps into spooky liminal spaces and physical media nostalgia.

The Best Music of 2023: Feel what’s happening now

ML Buch, DJ-E, Anohni & the Johnsons, Lana Del Ray, Ryuichi Sakamoto, Call Super, more made it personal this year

Bringing classic ‘Jewish Frankenstein’ film ‘The Golem’ to musical life

Guitarist Gary Lucas plays his eerie live score for 1920 German Expressionist landmark at the JCCSF

Bay Area proves fertile ground for Maria BC’s rough-and-tumble ambient

Secluded Berkeley Hills set scene for prescient warnings, louder drums of their album 'Spike Field.'

Swell’s reunion tour harkens back to SF’s ’90s indie rock sanctuary

Band suffered the loss of lead singer David Freel—but with 300 unreleased tapes in the archive, it's ready to ride a new wave.

Tony Jay drifts through the fog with a painted face

'Dejected crooner of the quotidian' speaks about new record 'Perfect Worlds' and affinity for colder SF days

Live Shots: Kim Petras danced with the Devil (and a discoball dick) at Bill Graham

The unstoppable star lit up a Halloween crowd, with a performance that pumped some subversion back into pop