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Wednesday, December 4, 2024
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48 hills
Independent San Francisco News + Culture
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Top reads
In spare strokes, Sandra Wong Orloff takes on big subjects like climate change, gun violence
Asian Art Museum summons K-pop nation with fangirl curator and BLACKPINK looks
John Waters’ art show? ‘A hit parade of hell’
The ‘Queen of Art Deco’ finally gets her due
US history of white supremacy peers through the present in Stephen Mangum’s latest work
In ‘Fictions of Presence,’ a View-Master and declassified 9/11 interrogation docs
Turbulence of recent past thrums though ‘Makeshift Memorials, Small Revolutions’
A flowering of Filipino art reclaims the SoMa landscape
SF’s Goethe-Institut makes a big move—and asks even bigger questions
Luke Kraman’s soft missives from the queer demimonde
Art
In spare strokes, Sandra Wong Orloff takes on big subjects like climate change, gun violence
Mary Corbin
-
November 24, 2024
The Redwood Heights artist dreams of a day when her drawings aren't relevant.
Art
Asian Art Museum summons K-pop nation with fangirl curator and BLACKPINK looks
Emily Wilson
-
November 24, 2024
'Hallyu! The Korean Wave' examines country's massive cultural footprint, from 'Parasite' to 'Gangham Style.'
Art
John Waters’ art show? ‘A hit parade of hell’
Emily Wilson
-
November 13, 2024
'As soon as I saw contemporary art and how mad it made people, I was hooked,' says the Pope of Trash, now showing at Rena Bransten Gallery.
Art Review
The ‘Queen of Art Deco’ finally gets her due
DeWitt Chen
-
November 13, 2024
In first major US retrospective, de Young's 'Tamara de Lempicka' reveals stunning portraits of Russian aristocrats and lesbian sex workers.
Art
US history of white supremacy peers through the present in Stephen Mangum’s latest work
Mary Corbin
-
November 6, 2024
'Illusions of My Childhood' series reflects both the painter's youth during 1960s racial oppression and continuing injustice today
Art Review
In ‘Fictions of Presence,’ a View-Master and declassified 9/11 interrogation docs
Genevieve Quick
-
November 4, 2024
Exploring how humans, machines, and humans aided by machines read differently—poetically and politically—at / (Slash)
Art Review
Turbulence of recent past thrums though ‘Makeshift Memorials, Small Revolutions’
Charles Lewis III
-
November 2, 2024
KADIST show takes on poignant personal effects of racism, fentanyl, queerphobia—but leaves out pandemic elephant in the room
Art
A flowering of Filipino art reclaims the SoMa landscape
Emily Wilson
-
October 31, 2024
More than a dozen striking public artworks centered on Filipino history have popped up in the past year, from SOMA Pilipinas to SFMOMA.
Art
SF’s Goethe-Institut makes a big move—and asks even bigger questions
Nicole Gluckstern
-
October 31, 2024
German cultural powerhouse's new art/tech show queries: 'Can technology enable artists to create an equitable society?'
Art
Luke Kraman’s soft missives from the queer demimonde
Marke B.
-
October 30, 2024
Documenting the underground, the photographer locates a 'queer liminal zone' in present/dreaming, warm/cold contrasts.
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