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Sunday, October 2, 2022

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Arts + CultureArt

Art

Art Review

Self-healing and magic crystallize in ‘SALT to CATCH GHOSTS’

Genevieve Quick -
At /(slash), Black women control and direct energy in a gathering of striking works curated by Ashara Ekundayo
Art

Scream something: BAMPFA projects women’s rage in “Outcry”

Emily Wilson -
Photographer Whitney Bradshaw's series captures a range of bellows against the patriarchy.
Art

A weaving of worlds: Miguel Arzabe explores ch’ixi

Mary Corbin -
Everyday Bolivian textiles and harvest moon ritual inspire the Oakland artist.
Art

What lies beneath? Santa Cruz-based artist looks for truth in our faces

Mary Corbin -
Sara Birns' weird, warped, wonderful visages are her way of showing bliss.
Art

SF’s Carlos Villa becomes first Filipino American honored by a major museum retrospective

Natalia Robyns-Kresich -
But sadly—for San Francisco—his multi-site show is missing an important component.
Art

A suspended state of grace: Raymond Holbert and his underwater arias

Mary Corbin -
Former CCSF art instructor breaks new ground via digitally-remixed photography.
Art

Mystic Moon Mamas and Matisse: What inspires artist Serena Viola Corson

Mary Corbin -
The painter's scenes of platonic joy and curious street scores celebrate being human.
Art Review

SFAI faculty member Carlos Villa’s hybrid legacy honored in two shows

Genevieve Quick -
Luscious cloaks and tributes to SoMa's I-Hotel assert mystical pageantry of unsung histories.
Arts + Culture

Artist Emmy Lou Packard shines in overdue expo—but she never left SF walls

Natalia Robyns-Kresich -
She apprenticed with Diego Rivera, and mentored the Mission's mural movement.
Movies

Screen Grabs: European relations hit the skids in ‘Spin Me Round’ and ‘Orphan: First Kill’

Dennis Harvey -
The former takes 'Eat, Pray' into comic territory, while 'Orphan' presents a psycho Estonian waif.

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