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Thursday, February 20, 2025

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Daniel Bromfield

Daniel Bromfield
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Daniel Bromfield is a second-generation San Franciscan and a prolific music and arts journalist. His work has appeared in Pitchfork, Resident Advisor, Stereogum, and various publications in the Bay Area. He lives in the Richmond district.
Lit

A love of baseball doesn’t quite come ‘Out of Left Field’ for this queer youth

Local author Jonah Newman's semi-autobiographical graphic novel tells a tale of self-discovery on the diamond.
Movies

Oh, the (budget) horrors of Unnamed Film Fest!

'The vomit and farts were real,' one director claimed at a post-show Q&A at Balboa Theatre.
Music

Sleepytime Gorilla Museum returns, just in time for the rise of the machines

Oakland avant-prog outfit's 'of the Last Human Being' employs sledgehammer dulcimers, cartoon xylophones, and 'The Wiggler.'
Music

Ambient hero Steve Roach builds ‘Structures from Silence’ inside Grace Cathedral

Tapping into the sonic architecture of his 40-year-old breakthrough, the Arizonan returns to a sacred space.
Music

Noise Pop report: Chiquimamani-Condori rebuked the algorithm at Gray Area

Bolivian American noise artist cut through autoplay BS for adoring fans; UK headliner Actress was not so steady.
Music Review

Noise Pop report: Diode diva Suzanne Ciani channeled Grace Cathedral’s ambient majesty

Kiss the Buchla: One of our most vital electronic music trailblazers took an awe-struck crowd to church
Music

Ann Annie scales modular marvels to chamber music heights

Eli Goldberg's project, named for a Himalayan peak, expands from electronic landscapes to acoustic collaboration
Movies

The primordially horrifying wavelength of ‘Skinamarink’

Balboa Theatre hosts the film phenomenon that taps into spooky liminal spaces and physical media nostalgia.
Music

The Best Music of 2023: Feel what’s happening now

ML Buch, DJ-E, Anohni & the Johnsons, Lana Del Ray, Ryuichi Sakamoto, Call Super, more made it personal this year
Movies

Bringing classic ‘Jewish Frankenstein’ film ‘The Golem’ to musical life

Guitarist Gary Lucas plays his eerie live score for 1920 German Expressionist landmark at the JCCSF
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