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John-Paul Shiver

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John-Paul Shiver has been contributing to 48 Hills since 2019. His work as an experienced music journalist and pop culture commentator has appeared in the Wire, Resident Advisor, SF Weekly, Bandcamp Daily, PulpLab, AFROPUNK, and Drowned In Sound.
Music

The Bay remembers MC Conrad’s UK drum and bass majesty

Foundational emcee's recently established foundation means to continue his legacy of assisting industry up 'n' comers.
Music

Under the Stars: Return of the OSEES and other joyful fall sounds

Plus: The soundtrack sleaze of 'Industry,' Nu Tekno's Moon Festival warm-up, and more music news.
Best of the Bay

Best of the Bay 2024 Editors’ Pick: Fake Fruit

Group's debut outing perfectly revindicated post-lockdown Bay culture. Praise, its second LP just dropped.
Music

Under the Stars: Vibing out in the Flintstone House with Yeobo

Plus: Brilliant "slower-haight" style from ZG, Raw Poetic gets live, Mild Universe revs up, JEMS! and Lady OFLO bops
Music

Live reviews: Pretenders rock a fusty crowd, Drugdealer revels in ’70s FM sound

Generational crankiness can't dim Chrissie Hynde's spark at Masonic; Michael Collins gets the Chapel making out.
Music

Under the Stars: A Blackalicious continuance, a thrilling local punk homage

Plus: Space Ghost rules, Dorothy Ashby revisited, Cymande revived, and an incandescent Succo Sounds gem
Music

SML dose with Fela Kuti on heralded, otherworldly album

Are you experienced—with avant-garde Afrobeats?
Music

Under the Stars: On the eve of two sophomore album releases that epitomize SF hustle

Fake Fruit and Chime School, folks. Plus: new releases from Shigeto and London club Tangent.
Music Review

Dick Dale via the Dead: otherworldly BALTHVS grooves at Outside Lands Night Show

The Bogotá power trio is known for its global sound, but brought electric SF specificity to Rickshaw Stop.
Music

Under the Stars: A smooth and silky trip through 40 years of UK street soul

Plus: Chuck Johnson's deep listening, Wayne Shorter's unexpected odyssey, James Alexander Bright's cool, more
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