Thursday, May 2, 2024

Pam Grady

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Director Gregg Araki on the enduring brutality of ‘The Doom Generation’

"I wish the movie was a little more obsolete in that way, and that people would go, ‘What’s a neo-Nazi? We don’t know what that is.’”

Director Kelly Reichardt on ‘wading into the tactile world’ of art for her latest

'The the first thing I sent Michelle Williams was an image of Lee Bontecou sculpting,' filmmaker says of 'Showing Up'

How to film ‘How to Blow up a Pipeline’

Daniel Goldhaber’s eco-thriller aims to 'encourage people to do what they think is right' about the climate crisis.

Exquisitely embroidering a tale of complex love in ‘The Blue Caftan’

Moroccan filmmaker Maryam Touzani on how she brought the story of a tailor, his wife, and their apprentice to life

‘Return to Seoul’ traces a conflicted search for identity, rooted in nation and memory

French-Cambodian filmmaker David Chou on bringing the tale of a young French-Korean woman to screen

Watching a daughter grow up, in Oscar-nominated ‘How Do You Measure A Year?’

Director Jay Rosenblatt talks about recording an interview with Ella every year from age 2 through 18

Still fascinated by Elvis: Baz Luhrmann on his bio-pic that helped revive a legend

'I wanted to explore the birth of an artist, and counterpoint it with the big salesman doing the snow job,' the director says

Director Laura Poitras is still making her own kind of explosions

Oscar-winning documentarian Laura Poitras used to live in San Francisco, where performance artist Mark Pauline was a neighbor and he and his Survival Research...

Bringing love story ‘Spoiler Alert’ to the screen, through grief, chance, and friendship

Jim Parsons and Ben Aldridge talk about starring in Michael Ausiello's true-life tale of losing his partner

Nikyatu Jusu mines the precarity of immigrant labor for terror in ‘Nanny’

"If every domestic worker stopped working tomorrow, a lot of people's lives would fall apart in this capitalistic system," the director says.