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Thursday, August 13, 2026

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Aimée Ts'ao

Aimée Ts'ao
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Aimée Ts'ao has been writing about all kinds of dance since 1997. A former professional dancer—ballet, modern/contemporary, and butoh—she has also been a dance teacher and has dabbled in choreography. She will even admit to being an ailurophile.
Dance

Aerial Arts Fest flies high on a shoestring and a dream

Losing NEA funding and artists' reluctance to visit the US can't keep Zaccho's dance celebration down.
Dance

ODC Summer Sampler’s ‘Notes of Disquiet’ fueled by invisible burdens, Armenian poetry

Mia J. Chong's latest work explores 'that feeling of having to hold in your response to someone else's insensitivity.'
Dance

Dance feeds the soul—and body—in Julia Adam’s gourmet ‘Lunae’

For two weekends in Petaluma, dance mavens can taste an al fresco connection between farmed land and celestial bodies.
Dance

‘Memento Forest’ trembles with communal healing after deep loss

Choreographer Marina Fukushima brings ritual, talismans that bore her up after father's death to Theatre of Yugen.
Dance

Behind ‘Angel Island Project,’ a powerhouse ensemble and dark history

Oakland Ballet Company enlists seven choreographers, 'Monkey King' composer to relate tales of Asian immigrant imprisonment.
Dance

Beyond Butoh: inkBoat’s ‘Clouds from a Crumbling Giant’ reaches past genres

At SF International Arts Fest, storied local dance company takes collaborative approach to crossing borders of life.
Dance

With New Works Festival, Lenora Lee Dance opens doors to radical voices

Seven diverse dance-makers premiere pieces exploring nuanced empowerment, quiet observation, immersive healing, more
Dance

At 20, CubaCaribe looks back—and ahead—at vibrant diasporic culture

The essential fest boasts a bonanza of Caribbean and related dance, as well as community gatherings, a photo exhibit, more.
Dance

Born to the circus, Gypsy Snider brings acrobatic flair to ODC’s ‘Dance Downtown’

At the meeting of two performance traditions, 'I came here to make bodies move in space'.
Dance

MOMIX dives down the rabbit hole in fantastical ‘Alice’

'Lewis Carroll's nonsense made perfect sense to me,' says legendary dance company's choreographer Moses Pendleton.
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