Caitlin Donohue
Caitlin Donohue grew up in the Sunset and attended Jefferson Elementary School. She writes about weed, sex, perreo, and other methods of dismantling power structures. Her current center of operations is Mexico City.
‘The Wait Room’ expresses the physical effects of a loved one’s incarceration
Choreographer Jo Kreiter examines the rippling toll of the prison-industrial complex, in a new work performed in front of UN Plaza.
San Pablo’s Los Cenzontles ramps up its Mexican rhythms
A new sound system and renovated space, a collaboration with Linda Ronstadt, youth programs, a cross-border documentary—what can't this cultural academy (and band) do?
Cross-bay institution Black Choreographers Festival celebrates its first 15 years
“A courageous/ambitious idea,” is how co-founder Laura Ellis characterizes the birth of her and fellow choreographer Kendra Barnes’ enduring yearly event, the Black Choreographers...
SOMArts’ ‘Forever, A Moment’ curators build Blackness allowed to define itself
"Have I ever been in a space that was completely designed for Black people?"
Arts Forecast: Son Jarocho Festival, J Dilla shots, and queer gamers unite!
Plus: Family-friendly opportunities to celebrate the Lunar New Year and Black History Month with inspiring art
Arts Forecast: Two-spirits celebrate 20 years of Bay community
Plus: Lucca Ravioli Co. says goodbye, Brutalist dance homage, Hard French Winter Ball, and more
Center of Sex and Culture closes — but Dr. Carol Queen looks to the future
Founder-doyenne of SoMa sex positivity divulges plans for CSC in exile
Arts Forecast: Mattilda Bernstein Sycamore confronts queer assimilation in ‘Sketchtasy’
Plus: Mozart's birthday, SF Movement Arts Fest, Jasmine Infiniti, and coastal light sculptures
Psychic Eye Records’ new compilation shows darkwave support for TGI Justice Project
The Bay label looks to weave an auditory conjuring — and give a primer on its experimental swath of artists
Black Panthers, today: A 1968 photo series exploring the activists’ humanity finds significance in 2019
SFAI students and contemporary Black artists re-contextualize Pirkle Jones and Ruth-Marion Baruch's influential and controversial images