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Saturday, January 31, 2026

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Charles Lewis III

Charles Lewis III
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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Drama Masks: New looks at ‘A Streetcar Named Desire’ and ‘Eugene Onegin’

Stripped down at ACT and revamped at SF Ballet, two very familiar tales take January's big stages.
Stage Review

Drama Masks: Does ‘The Book of Mormon’ hold up in darker times?

'South Park' creators' Broadway smash returns at 15. Plus: Killing My Lobster popped back in with a sexy mime competition.
Onstage

Drama Masks: Stage predictions for 2026

Will AI take over companies? Would a recession be good for artists? And which three companies give us hope for local theatre's future?
Onstage

Drama Masks: Does City Hall even care about the arts anymore?

Mayor Lurie's city charter reform group contains no one with local arts experience, sidelining a huge part of SF.
Stage Review

Drama Masks: Year on Stage 2025, part 2—the good stuff

When times got tough, our best artists got fierce: Golden Thread, OTP, Mime Troupe, Marga Gomez were standouts.
Stage Review

Drama Masks: Year on Stage 2025, part 1—the not-so-great stuff

A year of devastating cuts, wild uncertainty, and unexpected departures left its mark on the SF scene.
Arts + Culture

Drama Masks: Let’s get ‘Ruthless!’ for the holidays

New Conservatory Theater spices up the holidays with camp. Plus: Circus Bella's 'Starlight' brings delightful twists.
Stage Review

Drama Masks: Joy to ‘The Golden Girls,’ the ladies reign

They're back and full of cheer. Plus: 'Amalia y la vida de las cosas' weaves a Wonderland from humble materials.
Stage Review

Drama Masks: A visceral crawl through our wild moment in ‘weird inkling’

With poignant hullaballoo, Keith Hennessy and Circo Zero literally tore it up at the figure it out dance festival.
Stage Review

Drama Masks: A ‘Monkey King’ whose lessons match its lavishness

Plus: 'Mother of Exiles' at Berkeley Rep, Shotgun's 'Sunday in the Park with George'—and can 'Cabaret' get too punk?
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