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Thursday, April 17, 2025

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Charles Lewis III

Charles Lewis III
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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com

Drama Masks: Walking in circles

Shocking banality of evil in 'Here There Are Blueberries' and an Armenian cry against injustice, with puppets, in 'Azad.'

Drama Masks: Performative politics

SF Ballet's 'Van Manen' renders the art form accessible and Izzard crunches 'Hamlet,' while 'the boiling' offers a magnetic pandemic tale.

Drama Masks: Hypnotic maritime flamenco, messages in a bottle

Dance tells a yarn in 'Songs from a Sinking Ship.' Plus: How did the city's stages acknowledge Trans Visibility Day?

Drama Masks: Dreamlike delivery of prim-and-proper trans history in ‘I Am My Own Wife’

Plus: SF Ballet's 'Frankenstein' was a Gothic, if not great, delight and Killing My Lobster's new 'fun run' rips and roars.

Drama Masks: Fear not the fan

Coleman Domingo's 'Wild With Happy' blends Black Baptist sensibility with Disneymania, 'Nobody Loves You' finds no quarrel here.

Drama Masks: Drawing the line

Opera Parallèle's 'The Pigeon Keeper' took on the costs of xenophobia, while Central Works' 'Push/Pull' tackles toxic masculinity.

Drama Masks: When illness derails the performance

As flu and COVID cases rise (many of them deadly), how will the local theater scene adjust its communal experience?

Drama Masks: ‘Uncle Vanya’ breathes new life; ‘Cuckoo Edible Magic’ gets stoned

Chekhov gets a fresh and electrifying update at Berkeley Rep, while SFBATCO delivers an anime-inspired sentient rice cooker battle.

Drama Masks: Time can work against us all

This is Drama Masks, a Bay Area performing arts column from a born San Franciscan and longtime theatre artist in an N95 mask. I...

Drama Masks: When public transit woes make you miss the show

BART and Muni cuts—not to mention the threat the new regime poses to local arts—will most certainly sever theatre lifelines.