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Saturday, September 19, 2026

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Charles Lewis III

Charles Lewis III
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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Best of the Bay

Best of the Bay 2026 Editors’ Pick: San Francisco Trans March

Despite opportunistic politicos and police violence this year, the steadfast protest has proved that trans folks can win the fight.
Best of the Bay

Best of the Bay 2026 Editors’ Pick: Artists’ Television Access

Find the most experimental, personal, and weirdest art in the city in this passionately incendiary Valencia Street storefront.
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Drama Masks: The curtain falls at SF Opera

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Best of the Bay

Best of the Bay 2026 Editors’ Pick: Golden Thread Productions

In the shadow of war, company devoted to staging complex MENA stories once again finds its work all too relevant.
Stage Review

Drama Masks: Killing My Lobster sinks its claws into ‘Hysterical Historium’

The saucy veteran sketch troupe finally returns with a full-on Gold Rush era-set show—and kids in the audience?
Onstage

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Margaret Cho's punch-up, an immersive slasher, giant alien puppets, a bridge-spanning 'Lear,' a burlesque bonanza, much more
Stage Review

Drama Masks: A message of trans power delivered with operatic oomph

As SF Opera aims to cut its workers' pay, Opera Parallèle celebrated resistance with 'Revolution is Just the Beginning.'
Stage Review

Drama Masks: A drag disaster to die for

Farewell, Dolly Parton. And hello 'Disastrous!'—D'Arcy Drollinger's latest uproarious sendup of '70s genre flicks.
Stage Review

Drama Masks: A sensitive Julius Caesar, lost in the ’70s shuffle

Marin Shakes' bold, beautiful, but muddled adaptation humanizes a tyrant at the expense of message or meaning.
Stage Review

Drama Masks: A play every Silicon Valley acolyte should be forced to watch

La Lengua's shockingly current latest. Plus: Tennessee Williams' 'Orpheus Descending' gets a curious switch-up.
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