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Saturday, June 13, 2026

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Charles Lewis III

Charles Lewis III
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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com

Drama Masks: Aurora Theatre tiptoes back onstage after closure

... but another East Bay institution bids adieu. Plus: SF Opera's 'The Barber of Seville' lands the slapstick, needs more 'Figaro.'

Drama Masks: Berkeley Rep’s ‘The Lunchbox’ is a delicious charmer

Plus: 'Phantom of the Opera' descends on a new haunt, and 'Becoming a Man' faces transition head on.

Drama Masks: Living beyond the shadow of a ‘Doubt’

Anticipating Opera Parallèle’s latest—as the Pope rails against AI. Plus: SF Opera's upcoming streams, and a new SF Symphony leader.

Drama Masks: Taking an inch… and finishing the hat

'Hedwig and the Angry Inch' at NCTC cranks things up and down. Plus: The colorful drama of SFMOMA's 'Woman in a hat'

Drama Masks: Staged in a senior community center, this tale left a lasting sting

'Lay My Burden Down' took up urgent concerns, with puppets. Plus: Alicia Keys' angelic 'Hell's Kitchen' hits familiar heights.

Drama Masks: Get in, loser, we’re going to the theater

Changes are afoot on local stages—and 'Mean Girls' run amok at Ray of Light. Plus: 'Orpheus' retold, via storefront psychic

Drama Masks: ‘Hamnet’ is gorgeous, but how was Shakespeare’s sausage made?

Plus: 'Bloodlines' promises resistance, and SF Ballet's techno AI blockbuster 'Mere Mortals' returns, trailing cultural import.

Drama Masks: From another time of terror, ‘Burden of Proof’ urges to fight and fear not

Alleluia Panis' latest dance follows a Pilipina nurse snatched off the streets and wrongly incarcerated.

Drama Masks: Of tyrannical kings and dancing kilts

SF Ballet's 'La Sylphyde' goads us to run to the woods; NCTC's 'how to make an American son' picks at the myth of meritocracy

Drama Masks: Keeping the monsters of the world at bay

Perk yourself up with 'Lost in Yonkers' or 'Compton's' riot. Meanwhile, Berkeley Rep's 'The Monsters' tells a sadly familiar tale.