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Friday, March 20, 2026

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Charles Lewis III

Charles Lewis III
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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com

Drama Masks: Monsters in our midst, as Black and queer history looms

Two art shows at YBCA exhibit the drama of past and present, while NCTC's 'Gods & Monsters' attempts a fresh take.

Drama Masks: Kings in their castle—and a queen in her closet

'Spamalot' at Golden Gate Theatre rides on familiar laughs; 'The Ache' at Z Below brings music and drama to heel.

Drama Masks: ‘Paranormal Activity’ and other things that go bump in the night

Plus: 'All My Sons' proves Arthur Miller's anti-establishment cred and 'Looking For Justice' finds a broken system.

Drama Masks: The Manhattanization of San Francisco stages

Bilal Mahmood's proposal for a new arts district promises to be of little benefit to local creatives.

Drama Masks: The audience is listening—but who is ‘The Notebook’ romancing?

Plus: Anti-fascist sentiment spills onto stage—putting an actor at risk.

Drama Masks: Why is SF Ballet still performing at the Kennedy Center?

Some of the country's most prominent artists have dropped out after Trump's takeover. Why not our Ballet?

Drama Masks: Feel good this plot is not

Plus: 'How Shakespeare Saved My Life' fumbles in tale of a young man's love for The Bard and hip-hop.

Drama Masks: New looks at ‘A Streetcar Named Desire’ and ‘Eugene Onegin’

Stripped down at ACT and revamped at SF Ballet, two very familiar tales take January's big stages.

Drama Masks: Does ‘The Book of Mormon’ hold up in darker times?

'South Park' creators' Broadway smash returns at 15. Plus: Killing My Lobster popped back in with a sexy mime competition.

Drama Masks: Stage predictions for 2026

Will AI take over companies? Would a recession be good for artists? And which three companies give us hope for local theatre's future?