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Tuesday, October 22, 2024
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48 hills
Independent San Francisco News + Culture
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News + Politics
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Best of the Bay
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Performance
Stage Review
Stage Review
Top reads
MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh
AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’
A terrific tour through Transatlantic African dance in ‘RaÃces et Résistance’
In ‘Takes All Kinds,’ a trip through red states brings out complex humanity
‘Ode to Jane’: Flying high in the Tenderloin for abortion rights
Rapping out historical trauma across the Rio Grande in ‘Mexodus’
Latine update of Coward’s ‘Private Lives’ added layers to 100-year-old toxic tale
Killing My Lobster’s Agatha Christie send-up slays racist whodunnit tropes
A hearty Amen! to ‘The Black Feminist Guide to the Human Body’
Clearing the cobwebs from ‘Arsenic and Old Lace’ at Center Rep
Stage Review
MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh
Charles Lewis III
-
October 17, 2024
In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.
Stage Review
AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’
Charles Lewis III
-
October 16, 2024
In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.
Stage Review
A terrific tour through Transatlantic African dance in ‘RaÃces et Résistance’
Charles Lewis III
-
October 15, 2024
Co-creators Susana Arenas Pedroso and Bongo Sidibe fill Dance Mission with eye-popping costumes and energetic moves.
Stage Review
In ‘Takes All Kinds,’ a trip through red states brings out complex humanity
Charles Lewis III
-
October 14, 2024
Dan Hoyle's latest chameleonic exercise in 'theater journalism' reveals deep stories behind the stereotypes.
Stage Review
‘Ode to Jane’: Flying high in the Tenderloin for abortion rights
Charles Lewis III
-
October 9, 2024
Flyaway Productions' latest sees death-defying dancers dangling above while trenchant pro-choice voices play.
Stage Review
Rapping out historical trauma across the Rio Grande in ‘Mexodus’
Charles Lewis III
-
October 7, 2024
Little-known history of enslaved people escaping to Mexico is brought to exhilarating musical life at Berkeley Rep.
Stage Review
Latine update of Coward’s ‘Private Lives’ added layers to 100-year-old toxic tale
Charles Lewis III
-
October 6, 2024
At ACT, director K.J. Sanchez's race-bent casting discovered new depths in the marriage-is-hell comedy.
Stage Review
Killing My Lobster’s Agatha Christie send-up slays racist whodunnit tropes
Charles Lewis III
-
October 1, 2024
The comedy troupe's 'J'Accuse!' gets its kicks spoofing melodramatic murderers and foul epithets.
Stage Review
A hearty Amen! to ‘The Black Feminist Guide to the Human Body’
Charles Lewis III
-
October 1, 2024
At Magic Theatre, Lisa B. Thompson's play preaches holistic self-acceptance via three vivacious leads.
Stage Review
Clearing the cobwebs from ‘Arsenic and Old Lace’ at Center Rep
Charles Lewis III
-
September 24, 2024
https://www.lesherartscenter.org/Home/Components/Calendar/Event/17293/3146
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