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Tuesday, October 22, 2024

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PerformanceStage Review

Stage Review

MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh

In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.

AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’

In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.

A terrific tour through Transatlantic African dance in ‘Raíces et Résistance’

Co-creators Susana Arenas Pedroso and Bongo Sidibe fill Dance Mission with eye-popping costumes and energetic moves.

In ‘Takes All Kinds,’ a trip through red states brings out complex humanity

Dan Hoyle's latest chameleonic exercise in 'theater journalism' reveals deep stories behind the stereotypes.

‘Ode to Jane’: Flying high in the Tenderloin for abortion rights

Flyaway Productions' latest sees death-defying dancers dangling above while trenchant pro-choice voices play.

Rapping out historical trauma across the Rio Grande in ‘Mexodus’

Little-known history of enslaved people escaping to Mexico is brought to exhilarating musical life at Berkeley Rep.

Latine update of Coward’s ‘Private Lives’ added layers to 100-year-old toxic tale

At ACT, director K.J. Sanchez's race-bent casting discovered new depths in the marriage-is-hell comedy.

Killing My Lobster’s Agatha Christie send-up slays racist whodunnit tropes

The comedy troupe's 'J'Accuse!' gets its kicks spoofing melodramatic murderers and foul epithets.

A hearty Amen! to ‘The Black Feminist Guide to the Human Body’

At Magic Theatre, Lisa B. Thompson's play preaches holistic self-acceptance via three vivacious leads.

Clearing the cobwebs from ‘Arsenic and Old Lace’ at Center Rep

https://www.lesherartscenter.org/Home/Components/Calendar/Event/17293/3146

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