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Sunday, October 1, 2023
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48 hills
Independent San Francisco News + Culture
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News + Politics
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Best of the Bay
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Performance
Stage Review
Stage Review
Top reads
‘Il Trovatore’ offers vengeful bloodlust, mystic kidnappers, and a sprint to the finish
Boxing with parenthood and prejudice, plus puppet, in ‘Wolf Play’
Taylor Mac’s audacious ‘Gary’ adds excess to a Shakespeare gore-fest
Speculative Shakespeare, and a cocky Kit Marlowe, in Aurora’s ‘Born with Teeth’
Despite funky promise, ‘Hippest Trip’ plays like Black history written by ChatGPT
An excellent ‘Odyssey’ of surprises at Marin Theatre Company
All hail the meat sacks! It’s Killing My Lobster’s ‘The Skin We’re In’
‘Sylvester, the Mighty Real’ chases SF’s soul through city streets
World’s longest poem gets a speedy, sassy retelling in ‘Mahābhārata’
Just like a real family get-together, ‘Josephine’s Feast’ is both cringe and sweet
Stage Review
‘Il Trovatore’ offers vengeful bloodlust, mystic kidnappers, and a sprint to the finish
Charles Lewis III
-
September 25, 2023
SF Opera's new production of Verdi's overstuffed, time-jumping, ethnically problematic opera goes for the entertainment factor
Stage Review
Boxing with parenthood and prejudice, plus puppet, in ‘Wolf Play’
Charles Lewis III
-
September 21, 2023
In a perfect world, the ability to choose one’s own family would be on par with the acknowledgement of your biological kin. The excuse...
Stage Review
Taylor Mac’s audacious ‘Gary’ adds excess to a Shakespeare gore-fest
Charles Lewis III
-
September 20, 2023
A sequel to 'Titus Andronicus'? You better go big, and Oakland Theater Project makes a valiant effort with minimal means.
Stage Review
Speculative Shakespeare, and a cocky Kit Marlowe, in Aurora’s ‘Born with Teeth’
Charles Lewis III
-
September 19, 2023
Two giants of literature bicker literately in Liz Duffy Adams' entertainingly tinfoil-hat take on the Bard
Stage Review
Despite funky promise, ‘Hippest Trip’ plays like Black history written by ChatGPT
Charles Lewis III
-
September 13, 2023
'Soul Train' tribute at ACT jumps the rails when it comes to representation, power, and even music
Stage Review
An excellent ‘Odyssey’ of surprises at Marin Theatre Company
Charles Lewis III
-
September 7, 2023
Lisa Peterson puts the Western classic in the hands of four refugee women, who bring it to deeply resonant life
Stage Review
All hail the meat sacks! It’s Killing My Lobster’s ‘The Skin We’re In’
Charles Lewis III
-
August 25, 2023
The troupe mines laughs from the human body's unpredictable horrors and triumphs at CounterPulse
Stage Review
‘Sylvester, the Mighty Real’ chases SF’s soul through city streets
Charles Lewis III
-
August 21, 2023
Marvin K. White and Eye Zen's dramatic walking tour beatifies the queer singer, but dances around a central conflict
Stage Review
World’s longest poem gets a speedy, sassy retelling in ‘Mahābhārata’
Charles Lewis III
-
August 17, 2023
At Z Space, J Jha shines as production's sole interpreter of boundless Indian mythology.
Stage Review
Just like a real family get-together, ‘Josephine’s Feast’ is both cringe and sweet
Charles Lewis III
-
August 15, 2023
All-Black cast at Magic Theatre navigates generation gaps and gender roles around the table in Star Finch's latest
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