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Sunday, May 22, 2022

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PerformanceStage Review

Stage Review

Dancers lifted by a resonant voice in Alonzo King LINES Ballet’s ‘Deep River’

Collaboration among choreographer King, composer Jason Moran, and vocalist Lisa Fisher at YBCA captivates

‘Octet’ unleashes the demons of Internet obsession, in song

With a solid cast, Dave Molloy's play at Berkeley Rep takes on addiction to 24/7 digital culture—but should come with a tl;dr

With a flash of ‘Swan Lake’ feathers, Helgi Tómasson departs SF Ballet

A cannily chosen classic brings glamour, tragedy, and hope as the company's artistic director bids farewell.

‘The Incrementalist’ contrasts Black activism then and now, radical or from within

Cleavon Smith's world premiere at Aurora Theatre aims for 'meet me halfway' dialog on Berkeley campus turmoil

In ‘Endlings,’ a humorously profane dive into a vanishing Korean way of life

Ferocious Lotus and Oakland Theater Project collaboration highlights indelibly foul-mouthed seaside workers

Queer identity churns beneath religion, politics in ‘Drowning in Cairo’

Adam Ashraf Elsayigh's new time-jumping play examines the lives of three complex Muslim characters

Time-tripping back to the height of AIDS in ‘PrEP Play’

'Peggy Sue Got Married' meets pre-exposure prophylaxis in Yilong Liu's relevant tale of generational disconnect

After a long wait, we finally glimpse ‘Intimate Apparel’

Pandemic-delayed Lorraine Hansberry Theatre production features some strong turns in this Lynn Nottage play at new home

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