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Thursday, November 28, 2024

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Charles Lewis III

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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Fabulous alien scares aplenty in ‘Fatal Abduction’—just watch that anal probe

The latest Terror Vault installation has an elaborate backstory, lots of green goo, and, of course, a wormhole.
Stage Review

MAGAphobia: Brian Copeland reckons with Trump’s Kool-Aid drinkers at The Marsh

In 'The Great American Shit Show,' performer's sharp gaze turns to the intersection of bigotry and trauma.
Stage Review

AXIS moved from Swiss cheese moon to games of ardor in ‘Ecos’

In three new works at ODC, the company—which features dancers with disabilities—showed a wide and engrossing range.
Stage Review

A terrific tour through Transatlantic African dance in ‘Raíces et Résistance’

Co-creators Susana Arenas Pedroso and Bongo Sidibe fill Dance Mission with eye-popping costumes and energetic moves.
Stage Review

In ‘Takes All Kinds,’ a trip through red states brings out complex humanity

Dan Hoyle's latest chameleonic exercise in 'theater journalism' reveals deep stories behind the stereotypes.
Stage Review

‘Ode to Jane’: Flying high in the Tenderloin for abortion rights

Flyaway Productions' latest sees death-defying dancers dangling above while trenchant pro-choice voices play.
Stage Review

Rapping out historical trauma across the Rio Grande in ‘Mexodus’

Little-known history of enslaved people escaping to Mexico is brought to exhilarating musical life at Berkeley Rep.
Stage Review

Latine update of Coward’s ‘Private Lives’ added layers to 100-year-old toxic tale

At ACT, director K.J. Sanchez's race-bent casting discovered new depths in the marriage-is-hell comedy.
Stage Review

Killing My Lobster’s Agatha Christie send-up slays racist whodunnit tropes

The comedy troupe's 'J'Accuse!' gets its kicks spoofing melodramatic murderers and foul epithets.
Stage Review

A hearty Amen! to ‘The Black Feminist Guide to the Human Body’

At Magic Theatre, Lisa B. Thompson's play preaches holistic self-acceptance via three vivacious leads.
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