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Thursday, December 11, 2025

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Charles Lewis III

Charles Lewis III
320 POSTS1 COMMENTS
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Drama Masks: ‘Kim’s Convenience’ bags the laughs with intriguing drama

Ins Choi’s sitcom-adjacent play at ACT tells the story of a Canadian shopkeeper's family facing the future.
Onstage

Fall into theater: 11 shows to catch this season

From Arthurian opera and deportation reenactment to D.I.R.T. Fest and 'Spanish Stew'—our critic's picks for best stage bets.
Stage Review

Drama Masks: SF Opera and Shotgun Players ask, What price life?

'Dead Man Walking' and 'The Motion' investigate the value we place on existence, in very different ways.
Arts + Culture

Best of the Bay 2025 Editors’ Pick: Z Space

A blessedly versatile former can factory has become a well-established gem of a stage complex—and party place.
Stage Review

Drama Masks: At Z Space, a flashback to the day that was much too much

'The Day the Sky Turned Orange,' plus 'The Reservoir''s ensemble work, and femmes rise in 'Indecent.'
Stage Review

Drama Masks: Latest Neo-Futurists’ sandy pastiche performance invites all to dig in

'HOLE' sees your angst—and counsels excavation.
Arts + Culture

Best of the Bay 2025 Editors’ Pick: Compton’s Cafeteria Riot

The city thought it would never see itself done right onstage after 'Beach Blanket Babylon.' Then this long-running show came along.
Arts + Culture

Best of the Bay 2025 Editors’ Pick: Kina Kantor

Extolling the virtues of an in-demand theater talent, from turns in Berkeley Rep's 'Uncle Vanya' to Bindlestiff's 'The Love Edition.'
Stage Review

Drama Masks: Killing My Lobster takes a bow with one last (for now) nerdy number

The company may be folding, but not without sending a reminder of why it's been so beloved with 'Legends & Laughter.'
Best of the Bay

Best of the Bay 2025 Editors’ Pick: Terror Vault

We come for the jump scares, but stay for the world-building—and vampire cocktails—at the annual SF Mint fright fest.
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