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Friday, July 26, 2024

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Emily Wilson

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Emily Wilson lives in San Francisco. She has written for different outlets, including Smithsonian.com, The Daily Beast, Hyperallergic, Women’s Media Center, The Observer, Alta Journal, The San Francisco Chronicle, California Magazine, UC Santa Cruz Magazine, and SF Weekly. For many years, she taught adults getting their high school diplomas at City College of San Francisco. She hosts the short biweekly podcast Art Is Awesome.

A Route 66 trip to Steinbeck country spurred Octavio Solis’ ‘Mother Road’

'Things still felt like, yeah, this is America during the Depression,' says playwright, whose latest is at Berkeley Rep.

Tosha Stimage’s ‘SUPERBLOOM’ invites Presidio visitors into Bay’s rich floral heritage

Florist's Chilean strawberries and California poppies budded from research into the land.

At de Young, local artists eye ‘The Peaceable Kingdom’—and US colonialism

Lee Mingwei challenged 'a family tree' of artists to reinterpret Edward Hicks' famous 1846 allegorical painting.

At ‘Noonan Unlocked,’ Pier 70 artists will display their resilient community

Storied studio building throws open its doors before redevelopment transforms the tight-knit creative clan

Striking probe of colorism leads to artist’s first solo show—at MoAD, no less

CCA grad Mary Graham's 'Value Test: Brown Paper' locates universal story through Black past.

Life burbles with inside jokes in Rebecca Ness’s jumbo paintings

Bookstores, bedrooms, U-Hauls, lesbian bars are loci of human comedy (and tragedy) in 'Portraits of Place.'

The Algorithm speaks! BD Wong on the power of ‘Big Data’

'I love manipulating the molecules in the air and changing the tone of the moment,' actor says of A.C.T. role

Necromancy at SoEx: ‘Moving Clouds’ summons the once-thought-dead

Curator Cathy Lu on show's "ancestor callers," whose works range from crematorium to live events in Gaza.

Playwright Ashley Smiley takes on neighborhood diplacement and Tesla-stamped MDMA

Her 'Dirty White Teslas Make Me Sad' at Magic Theatre is a personal take on gentrification and the city's loss.

‘Cross Currents’ brings Black and Asian heritage together through striking art

Curators Larry Ossei-Mensah and Micki Meng assemble a cross-cultural show for 'this very fragile, questionable time'