Emily Wilson

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A ‘Timon’ for our times? Cutting Ball Theatre transfers Shakespeare to SF

Director Rob Melrose's Timon, "the hottest CEO this side of Market Street," is transported to the Tenderloin in timely production.

‘The Wolves’ kicks up young women’s power, rage, and sheer joy

Director Morgan Green and coach Shane Kennedy talk about the lively, soccer-based Pulitzer finalist at Marin Theatre Company.

‘How To Be a White Man’ explores power and identity with a comic touch

Luna Malbroux's new play with SF Bay Area Theatre Company takes on showbiz entitlement in a changing political landscape.

Blackface betrayal and ‘Black Lies’ in Edgar Arceneaux’s new YBCA installation

The LA artist takes on Ben Vereens' infamously truncated performance at Ronald Reagan's 1981 inaugural gala, and more.

SFMOMA’s immersive ‘Sublime Seas’ mixes ‘Blue Planet’ beauty with unfathomable brutality

A legendary British painting and a contemporary Ghanaian artist's video work combine for a visceral new show.

A school mass shooting inspires a new play at Berkeley Rep

Playwright Julia Cho dug deep into 2007 Virginia Tech massacre reports to construct 'Office Hour,' about a fraught student-teacher encounter.

‘Born Yesterday’—but a 70-year-old play splendidly comments on today

A vulgar, immoral millionaire goes to Washington to further his interests in this classic at SF Playhouse. What could go wrong?

Renowned dance company taps street musicians for ‘Bootstrap Tales’

Choreographer scoured San Francisco, with an eye toward helping foster kids, for Robert Moses' Kin's latest work at YBCA.

Expanding the face of Detroit’s working class with ‘Skeleton Crew’

Playwright Dominique Morisseau brings passion and complexity to a threatened auto plant in Marin Theatre Company's latest production.

What does marriage sound like?

Playwright John Kolvenbach's 'Reel to Reel' at Magic Theater uses plungers, hammers, pails to hone in on a relationship over time.