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Thursday, December 8, 2022

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Emily Wilson

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Onstage

Fashioning a new ‘Wuthering Heights,’ from hand-me-downs and reclaimed fabrics

Costumer Vicki Mortimer talks about the importance of sustainable and vintage outfits in adaptation at Berkeley Rep
Music

Seeing ‘La Traviata’ anew, through the lens of a feminist reckoning

Shawna Lucey's production at SF Opera focuses on courtesan Violetta's agency to control her own life and decisions.
Lit

Building an architect: Novelist imagines the Bay Area youth of Julia Morgan

In 'Drawing Outside the Lines,' Susan J. Austin sketches a foundation for the mind behind Hearst Castle.
Onstage

“I’ll make it even wilder”: Bill Irwin takes ‘On Beckett’

The accomplished physical comedian brings his ever-changing relationship with the Irish playwright's work to the A.C.T.
Art

Feminist faith founders, community archivists: APAture highlights remarkable creators

Asian Pacific American arts organization Kearny Street Workshop celebrates 50 years with festival themed 'autonomy'
Art

‘What might the world look like?’: Displaying the breadth of Faith Ringgold’s art and life

Curator Janna Keegan speaks about the 91-year-old artist-activist's breathtaking retrospective at the de Young.
Art

Scream something: BAMPFA projects women’s rage in ‘Outcry’

Photographer Whitney Bradshaw's series captures a range of bellows against the patriarchy.
Onstage

‘Lear’ comes to the Fillmore: A Bay take on Shakespeare’s great tragedy

Cal Shakes' new production centers Blackness, and features live accompaniment by jazz favorite Marcus Shelby.
Art

Beyond the garden’s borders: A walk-through with installation artist Cathy Lu

Resilience and grief, in ceramic.
Art

All aboard the TNT Traysikel for some karaoke, Filipino street-style

One of the city's favorite mobile interactive sculptures is at the Asian Art Museum—and you can sing along.
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