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Saturday, April 1, 2023

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Emily Wilson

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‘What These Walls Won’t Hold’ is incarcerated people’s drive to create

Adamu Chan's documentary blows lid off official accounts of life in San Quentin at the height of COVID.

With joy and uplift, COLORFORMS leaps from screen to stage at SF Ballet

COVID forced choreographer Myles Thatcher to film his new dance at arts institutions; now it debuts live

Glitter-strewn resistance: Amalia Mesa-Bains talks beauty

Groundbreaking Chicana artist traces path of her Berkeley retrospective.

In ‘Sobremesa,’ a chain of artists serves up china dumplings, doughy ducks, plum branches

Catharine Clark Gallery's tag-team show gives artists prompts to set their own table—with real food accompaniment.

Illuminating an Indigenous future through Mayan cosmology and ancestral weaving

With 'The Ritual of Myth Making: Reclaim' at Root Division, curators Katherin Canton and Mariana Moscoso follow the Saq’be’.

Erin Merritt stirs domestic terrorism, violent rhetoric—and humor!—into ‘Tea Party’

The director, weathering ALS, fulfills a decade-long dream to stage Gordon Dahlquist's scabrous satire.

Sound! Lights! Survival! It’s ‘Cambodian Rock Band’

Lauren Yee's play at Berkeley Rep uses Dengue Fever's music to tell a story of terror, resilience, and justice.

‘We’re telling our fathers’ stories’: Luis Alfaro’s ‘The Travelers’ comes to Magic Theatre

Director Catherine Castellanos on new Campo Santo play, which revolves around a Central Valley seminary

From ranchos to Disneyland: Four centuries of California cartography

California Historical Society displays remarkable maps that trace colonization, ecological impact, tourism

‘What is the portal for them?’ Group show at Minnesota Street Project opens doors

"as you summon other worlds" exhibition evokes artistic connection in more ways than one.