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Monday, October 25, 2021

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PerformanceOnstage

Onstage

Onstage

Review: In ‘Interlude,’ swept back to Kansas by COVID

Charles Lewis III -
Harrison David Rivers' intriguing play explores the frustrations of sheltering in place in your parents' home—especially when you're gay and Black.
Onstage

‘Jesus Christ Superstar’ resurrects big show season, but lacks divine camp

Dennis Harvey -
Andrew Lloyd Webber's 50-year-old musical needs to lean into the cheese to work; here it barely rises again
Onstage

‘Dear San Francisco’: breath-taking style with little City substance

Charles Lewis III -
‘Beach Blanket Babylon’ successor is an exhilarating 'high-flying love story'—but of what, exactly?
Onstage

Review: In tackling white patriarchy, ‘The Dope Elf’ erodes life-fiction boundaries

Genevieve Quick -
Asher Hartman's experimental theater work at The Lab used planned messiness to provoke questions about the nature of the stage
Onstage

With ‘Immortal Reckoning,’ Peaches Christ opens her portal to Hades

Peter-Astrid Kane -
Start with cocktails at a goth club—then stumble into terror beneath the Old Mint, at Into the Dark's latest immersive screamfest.
Onstage

Sean San José: ‘There needs to be a home for more people’ in local theater

Lou Fancher -
The new Magic Theatre Artistic Director builds on his deep roots with a passion for actual—not superficial—inclusion.
Onstage

Reading is fundamental: 44 years of the Bay Area Playwrights Festival

Caitlin Donohue -
At nearly a half-century, this showcase of early-career playwrights must be doing something right. Find out what, starting Fri/16.
Arts + Culture

Porchlight, Bawdy Storytelling take stage at newly Mint-ed al fresco series

Emily Wilson -
Courtyard Cabaret was the result of COVID downtime—but an outdoor drink and show sounds smashing for summer.
Onstage

Comedian, nerd hero Brian Posehn returns with ‘a pandemic’s worth’ of new jokes

Joshua Rotter -
The Redwood City-born favorite talks 'Grandpa Metal,' Mary Jane, and performing live shows at Cobb's again
Onstage

SF Opera returns—with a lakeside, drive-in production of ‘Barber of Seville’

Emily Wilson -
Director Matthew Ozawa reflects on his art form's new normal: “Sometimes it gets cold at night, and there’s a lovely duck that loves to say hello.”

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