Thursday, April 22, 2021

Genevieve Quick

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Genevieve Quick is an interdisciplinary artist and arts writers. Her writing has appeared in Artforum, cmagazine, and Art Practical.

Review: CULT’s anniversary show finds courage to examine past and present

James Perkins' Black minimalism and Chris Fallon's time-skipping depictions of women's forms stand out at "Janus II."

Review: Daily scenes reveal complex family identities in Gloria Wong’s ‘Three Tongues’

At Friends Indeed, the Chinese Canadian photographer portrays a tidy home full of subtle information.

Review: Black Madonnas, fashion photos, semaphore, and song in ‘Future Histories’

At SFMOMA, Theaster Gates and Cauleen Smith draw on the African American archive to point a way forward.

Review: Zulfikar Ali Bhutto’s sequined gas masks and intergalactic minarets

Speculative meets divine in 'Future Faithful: Islamic Experiments in Space Exploration and Posthumanism'

Review: Zarouhie Abdalian holds back too much in ‘We can decide’

At Altman Siegel, the artist's minimal interventions gesture admirably but too delicately at weighty ideals.

Review: ‘Native Resolution’ renders the anthropological archive bare

Stephanie Syjuco's new show at Catharine Clark reclaims Filipino lives from omissions of colonial history

Review: With collaged screams and comic silences, Christian Marclay channels the inexpressible now

The artist, known for his montages and experimental scores, unsettles with timely new work at Fraenkel Gallery.

Review: ‘New Labor Movements III’ continues stunning probe of Black identities

At McEvoy Foundation, curator Leila Weefur's latest installment of short films offers glimpses of multiple histories.