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Tuesday, January 25, 2022

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Genevieve Quick

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Genevieve Quick is an interdisciplinary artist and arts writer. Her writing has appeared in Artforum, cmagazine, and Art Practical.

Review: In ‘Mothership,’ Afrofuturism blasts off from myriad launch pads

A global roster of artists claims space for the unfixed, fragmented, and hybridized at OMCA.

Review: Merging codex and comics, Enrique Chagoya’s artist’s books enfold timelines

At Legion of Honor, accordions of 'reverse anthropology,' Pre-Colombian superheroes, and zigzagging planes of culture and history

Review: ‘The Missing Circle’ delves into Latin America’s complex past

But who has the right to tell this story? New show at KADIST showcases vital work and raises questions

Review: Face to face with Leonard Cohen’s choir in ‘I’m Your Man’

Candice Breitz's video "portrait" at the CJM creates a spatial experience of touching vulnerability and awkwardness.

Review: In tackling white patriarchy, ‘The Dope Elf’ erodes life-fiction boundaries

Asher Hartman's experimental theater work at The Lab used planned messiness to provoke questions about the nature of the stage

Review: Pyramids to Panthers, ‘Afro Hippie’ tracks Black Power through time and space

David Huffman locates his Bay Area activist upbringing within the swirling cosmos—an homage to leaders yet to come.

Review: Afloat on the Bay, ‘Night Watch’ presented refugees as they are

Shimon Attie's quiet and simple videos, shown from a barge, refused to emotionally exploit their participants.

Review: Wangechi Mutu brings cosmic energies to Legion of Honor

Stunningly reverberating with the collection, 'I Am Speaking, Are You Listening?' tells different stories of art

Review: Joyous ‘Next to You’ at McEvoy Foundation welcomes viewers back

Fun photographs from the collection, juxtaposed with colorful abstract works that play like musical phrases.

In “Altered States” exhibition, artists play with the illegible

Kandis Williams' sculpture of a monstera plant, intervened with images of Frederick and Helen Pitts Douglass, leads the way.