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Thursday, March 14, 2024
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48 hills
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Art
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Top reads
Ryan Whelan plays beat the clock in ‘The River Can Run’
‘Look Me in the Eyes’ confronts the phantasmagoria of Kurdish history
Andrew Wilson’s ‘Torn Asunder’ sees Black men in new light, two ways at once
In tamara suarez porras’ ‘parallax errors,’ fractured apparitions of changing perception
‘Ambient Jukebox’ transforms vintage finds into poetic worlds
Do Yayoi Kusama’s candy-colored creations transcend a problematic past?
‘Custer had it coming’: Duane Linklater’s missives from an Indigenous present
24-karat gowns, ghost handprints, powerful hair, more in MoAD’s fall exhibitions
Googly-eyed creatures and underground spirits in Anne McGuire’s ‘Symbolically Depicted’
Ana Jotta’s ‘Never the Less’: Drawing in many senses of the word
Art Review
Ryan Whelan plays beat the clock in ‘The River Can Run’
Champe Barton
-
March 11, 2024
At Pt.2 Gallery, the Oakland-based artist confronts our (and art's) precarious relationship with time.
Art Review
‘Look Me in the Eyes’ confronts the phantasmagoria of Kurdish history
Genevieve Quick
-
March 6, 2024
At ICA SF, Hayv Kahraman employs haunting metaphors, conveying a surreal mythology of female figures.
Art Review
Andrew Wilson’s ‘Torn Asunder’ sees Black men in new light, two ways at once
Charles Lewis III
-
March 6, 2024
Once a nude model, a photographer imparts the freedom he once felt to others, in show at Johnathan Carver Moore.
Art Review
In tamara suarez porras’ ‘parallax errors,’ fractured apparitions of changing perception
Ava Morton
-
February 21, 2024
Masterful photographic prints at CIIS provide glimpses into momentous changes in the artist's life.
Art Review
‘Ambient Jukebox’ transforms vintage finds into poetic worlds
Genevieve Quick
-
February 3, 2024
Janet Cardiff and George Bures Miller's exhilarating show at Fraenkel Gallery teems with bygone sensations
Art Review
Do Yayoi Kusama’s candy-colored creations transcend a problematic past?
Lou Fancher
-
November 13, 2023
Recently reported racist writings in the towering 94-year-old artist's past raised questions about her blockbuster SFMOMA show.
Art Review
‘Custer had it coming’: Duane Linklater’s missives from an Indigenous present
Charles Lewis III
-
November 7, 2023
In 'mymothersside' at BAMPFA, the OmaskĂŞko Cree artist considers the importance of anti-colonialist language.
Art Review
24-karat gowns, ghost handprints, powerful hair, more in MoAD’s fall exhibitions
Charles Lewis III
-
October 12, 2023
New exhibits uplift and memorialize through ravishing color, while provoking thoughts about the SF just beyond the walls
Art Review
Googly-eyed creatures and underground spirits in Anne McGuire’s ‘Symbolically Depicted’
Genevieve Quick
-
October 10, 2023
At Pastine Projects, obsessively detailed psychedelic drawings depicting surreal creatures and local artist friends
Art Review
Ana Jotta’s ‘Never the Less’: Drawing in many senses of the word
Bec Imrich
-
October 4, 2023
At Wattis, the longtime Portuguese artist's first US show is an exhilarating peek into her work, rife with references and wordplay
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