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Friday, July 26, 2024

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ArtArt Review

Art Review

Art Review

Pancakes, party favors, and animatronic wolves? ‘Fantastico’!

Ava Morton -
At Casemore Gallery, Lindsey White uses sparkling humor and magic to plumb deeper issues of local artmaking.
Art

The kid from Plainfield: Irving Penn retrospective captures him capturing us

Lou Fancher -
De Young retrospective shows how the photographer built a time capsule of humanity in San Francisco and far beyond.
Art Review

Zanele Mulholi pictures queer South Africa in all its joy and tragedy

Genevieve Quick -
The photographer's bold show at SFMOMA turns their camera toward LGTBQ+ friends and community members.
Art Review

Poetic efficiencies, subtle subversions streak through ‘vītatio’

Bec Imrich -
Thoughtful group show at Altman Siegel coalesces into third space beyond gender binaries and colonial violence.
Art Review

How Irving Penn brought the world to his studio—and vice versa

DeWitt Chen -
de Young retrospective teases out sheer range of the photographer's lens.
Art Review

A profound web of hybrid histories in MoAD’s ‘Unruly Navigations’

Genevieve Quick -
Curator Key Jo Lee looks beyond the US perspective, taking an exciting global perspective on Black culture.
Art Review

The eerie detritus, AI omens of ‘Daemonomania’

Bec Imrich -
Anthony Discenza's show at Et al. encourages reflection on the mess in which we find ourselves.
Art Review

Ryan Whelan plays beat the clock in ‘The River Can Run’

Champe Barton -
At Pt.2 Gallery, the Oakland-based artist confronts our (and art's) precarious relationship with time.
Art Review

‘Look Me in the Eyes’ confronts the phantasmagoria of Kurdish history

Genevieve Quick -
At ICA SF, Hayv Kahraman employs haunting metaphors, conveying a surreal mythology of female figures.
Art Review

Andrew Wilson’s ‘Torn Asunder’ sees Black men in new light, two ways at once

Charles Lewis III -
Once a nude model, a photographer imparts the freedom he once felt to others, in show at Johnathan Carver Moore.

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