Sponsored link
Thursday, December 1, 2022

Sponsored link

ArtArt Review

Art Review

Artist, mother, wife, and cat: SFMOMA Joan Brown retrospective celebrates a shapeshifter

Beginning within the Bay Area Figurative Movement, Brown's career defies simple classification.

Kija Lucas scans her roots in ‘A Taxonomy of Belonging’

A masterful exploration of family emigration—and a rebuttal of racial classification—at SF Camerawork

New Institute for Contemporary Art kicks off with Jeffrey Gibson’s vibrant ‘This Burning World’

Bold patterns and dreamy imagery point to questions about the complexities of identity and a threatened ecology

In ‘Do Not Fold, Spindle, or Mutilate,’ rule-breaking becomes the rule

Dual gallery exhibition deploys deadpan humor and incongruous selfie sticks. Could it have taken the transgression further?

‘The New Black Vanguard’ displays power at nexus of art and fashion

MoAD features 15 contemporary photographers expanding rigid narratives about Black media imagery

Self-healing and magic crystallize in ‘SALT to CATCH GHOSTS’

At /(slash), Black women control and direct energy in a gathering of striking works curated by Ashara Ekundayo

SF’s Carlos Villa becomes first Filipino American honored by a major museum retrospective

But sadly—for San Francisco—his multi-site show is missing an important component.

SFAI faculty member Carlos Villa’s hybrid legacy honored in two shows

Luscious cloaks and tributes to SoMa's I-Hotel assert mystical pageantry of unsung histories.

Amid community trauma, ‘Elegies’ at MoAD holds space for poignant beauty

Everyday objects take on meaning beyond the ordinary, bridging art history and contemporary culture to heal loss

Unexpected reveries, as physical meets otherworldly in ‘Antidote’

Provocative group show at Aggregate Space Gallery features mechanically raked Zen garden, texture-mapped CGI women

Top tags

Sponsored link