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Wednesday, December 4, 2024

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ArtArt Review

Art Review

The ‘Queen of Art Deco’ finally gets her due

In first major US retrospective, de Young's 'Tamara de Lempicka' reveals stunning portraits of Russian aristocrats and lesbian sex workers.

In ‘Fictions of Presence,’ a View-Master and declassified 9/11 interrogation docs

Exploring how humans, machines, and humans aided by machines read differently—poetically and politically—at / (Slash)

Turbulence of recent past thrums though ‘Makeshift Memorials, Small Revolutions’

KADIST show takes on poignant personal effects of racism, fentanyl, queerphobia—but leaves out pandemic elephant in the room

Six local art giants stand ‘In Conversation with the Muse’—beards and all

In group show by well-known figures at `Pt. 2 Gallery, everyday objects become 'not a replica of life but a tool for insight.'

Art is dead, long live art

Decaying works, deceased creatives—in new exhibition, the Berkeley Art Museum imagines itself a columbarium.

There’s starshine in ‘Nocturnes’—ceramic ruins and oyster reefs, too

At Personal Space in Vallejo, a stimulating group show reminds that natural materials contain wisdom.

Young Joon Kwak’s BAMPFA show is a rebellious, sparkling tease

Multi-faceted artist works queer South Korean love into resin and rhinestones for MATRIX program.

‘Beasties’ ventures where the wild hybrids roam

Rebecca Camacho Presents show corrals creature creations both meticulously kitschy and ominously mystical.

Pancakes, party favors, and animatronic wolves? ‘Fantastico’!

At Casemore Gallery, Lindsey White uses sparkling humor and magic to plumb deeper issues of local artmaking.

The kid from Plainfield: Irving Penn retrospective captures him capturing us

De Young retrospective shows how the photographer built a time capsule of humanity in San Francisco and far beyond.

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