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Thursday, December 1, 2022

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ArtArt Review

Art Review

Art Review

Artist, mother, wife, and cat: SFMOMA Joan Brown retrospective celebrates a shapeshifter

Genevieve Quick -
Beginning within the Bay Area Figurative Movement, Brown's career defies simple classification.
Art Review

Kija Lucas scans her roots in ‘A Taxonomy of Belonging’

Ava Morton -
A masterful exploration of family emigration—and a rebuttal of racial classification—at SF Camerawork
Art Review

New Institute for Contemporary Art kicks off with Jeffrey Gibson’s vibrant ‘This Burning World’

Genevieve Quick -
Bold patterns and dreamy imagery point to questions about the complexities of identity and a threatened ecology
Art Review

In ‘Do Not Fold, Spindle, or Mutilate,’ rule-breaking becomes the rule

Genevieve Quick -
Dual gallery exhibition deploys deadpan humor and incongruous selfie sticks. Could it have taken the transgression further?
Art Review

‘The New Black Vanguard’ displays power at nexus of art and fashion

Charles Lewis III -
MoAD features 15 contemporary photographers expanding rigid narratives about Black media imagery
Art Review

Self-healing and magic crystallize in ‘SALT to CATCH GHOSTS’

Genevieve Quick -
At /(slash), Black women control and direct energy in a gathering of striking works curated by Ashara Ekundayo
Art

SF’s Carlos Villa becomes first Filipino American honored by a major museum retrospective

Natalia Robyns-Kresich -
But sadly—for San Francisco—his multi-site show is missing an important component.
Art Review

SFAI faculty member Carlos Villa’s hybrid legacy honored in two shows

Genevieve Quick -
Luscious cloaks and tributes to SoMa's I-Hotel assert mystical pageantry of unsung histories.
Art Review

Amid community trauma, ‘Elegies’ at MoAD holds space for poignant beauty

Genevieve Quick -
Everyday objects take on meaning beyond the ordinary, bridging art history and contemporary culture to heal loss
Art Review

Unexpected reveries, as physical meets otherworldly in ‘Antidote’

Genevieve Quick -
Provocative group show at Aggregate Space Gallery features mechanically raked Zen garden, texture-mapped CGI women

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