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Thursday, November 21, 2024

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Nicole Gluckstern

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SF’s Goethe-Institut makes a big move—and asks even bigger questions

German cultural powerhouse's new art/tech show queries: 'Can technology enable artists to create an equitable society?'

Quiet, please: Mummenschanz is still miming magic 50 years on

'It’s poetic, it’s playful, it’s interactive' says founder Floriana Frassetto of troupe's iconic human slinkys and toilet paper faces.

Meet the makeup mastermind behind Terror Vault’s shocking aliens

Backstage at the 'Fatal Abduction' show, Jason Henricks works magic with prosthetics, color, and triple nipples.

Best of the Bay 2024 Editors’ Pick: Bottega

A late-night, no-reservation plate of sachetti on Valencia? Nonna would be proud.

Best of the Bay 2024 Editors’ Pick: ‘Dear San Francisco’

An acrobatic love letter to the City by the Bay, this circus show floods the audience with local oohs and aahs.

Get Free Festival’s liberatory storytelling stays fresh five years in

Embodiment Project's nine-day hip hop gathering choreographs provocation, battle—and unfettered joy.

Do you feel what I feel? ‘Into the Dark’ plunges audience into the sensorial

Jess Curtis/Gravity's latest for Blind, Low Vision, and Sighted physical performers immerses viewers in limitations and possibilities

In ‘Hurricane Diane,’ it’s Bacchae to our wild roots, eco-rave included

Madeline George's suburban New Jersey take on Euripides' classic gets earthy at Aurora Theatre