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Friday, April 25, 2025

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Joshua Rotter

Joshua Rotter
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Joshua Rotter is a contributing writer for 48 Hills. He’s also written for the San Francisco Bay Guardian, SF Weekly, SF Examiner, SF Chronicle, and CNET.

Jazz legend John Santos teaches ‘Rhythms of Resistance’ to defeat gentrification

New course on Cuban and Puerto Rican music at MoAD highlights their role in the struggle for social justice

Still Pleasure Victims: Berlin swings into the Bay to take our breath away

David Diamond of the '80s favorites on touring with Boy George, crushing on Tom Cruise, and retooling their biggest hit

Belinda Carlisle: ‘Pop music is especially important now—uplifting people is good’

Before hitting the Bay Area, the Go-Gos legend speaks on her inspiring solo return, and what keeps her going.

Confronting decline while flying through the air in ‘the Curve’ at Fringe Fest

Circus acrobat Genie Cartier's show combines gravity-defying feats with candid tales of a body slowing down

Papp Johnson: ‘I’m telling jokes that will last for generations to come’

From NBA prospect to standup player, the Oakland comedian looks ahead on new album 'Timeless'

Donna Sachet and a pizza with everything: ‘Sunday’s a Drag’ returns, fabulously

With a new venue (Club Fugazi), new food, and a slate of seasoned performers, the musical drag brunch hits the spot

Glamour of the Spheres: Mrs. Vera’s queer survival, in glorious adornment

Michael Johnstone and David Faulk tell the story of their indelible style creations in ' The Unabridged Mrs. Vera’s Daybook'

Killer Mike: ‘I’ve been making dope music for 20 years, but people haven’t really met me’

On rapper's new album 'Michael,' things he's long needed to say about himself and the state of the world

3 can’t-miss picks from the Jewish Film Fest, and the stories behind them

Mark your calendars for Remembering Gene Wilder, The Secret Art of Human Flight, and Rabbi on the Block

More than a-peeling: Behind the scenes of Circus Bella’s latest show, ‘Bananas!’

Ringmaster Abigail Munn and strongman Toni Cannon tell us why it's so important to celebrate absurdity right now