Ava Morton, Author at 48 hills

Art Review

In tamara suarez porras’ ‘parallax errors,’ fractured apparitions of changing perception

February 21, 2024

Masterful photographic prints at CIIS provide glimpses into momentous changes in the artist's life.

Art Review

Mouthpieces, mistletoe, cuttlefish bones summon sonic interplay in ‘auxil’

August 9, 2023

K.R.M. Mooney's potent forms at Altman Siegel connect sculpture-making to music-making

Art

Finding ourselves, finding others in Sofía Clausse’s ‘Labyrinth’

May 31, 2023

Open spirituality, takes on the tarot form path of vibrant exhibition.

Art Review

Don’t fear the blackout? ‘through the electric grid promised land’ binds in darkness

April 11, 2023

A fantastical and nightmarish installation at / slash art exposes modern-day terrors.

Art Review

Self-definition in constant flux at SF State’s ‘Have You Seen Me?’

March 13, 2023

Curators Sharon E. Bliss and Kevin B. Chen bring together artists who challenge assumptions in the way we look at each other.

Art Review

Lee Materazzi’s ‘Nipples Pulled Through’ is freckled with interjections of her body

February 13, 2023

At Eleanor Harwood Gallery, the artist shows vibrant personal work she made with her daughters as collaborators

Art

‘Material Conditional’ refashions cultural refuse into objects of adoration

December 15, 2022

Leeza Doreian & Liz Harvey: Material Conditional (through December 27 at Round Weather), pushes against the excessive nature of fast fashion by portraying and...

Art Review

Kija Lucas scans her roots in ‘A Taxonomy of Belonging’

November 17, 2022

A masterful exploration of family emigration—and a rebuttal of racial classification—at SF Camerawork

Art Review

Time slips to dizzying photographic effect in ‘Considered Interactions’

May 12, 2022

A Casemore Kirkeby, dark humor points to the frustrating and curious challenge of seeking to capture something already changing.

Art

Review: With crunch and chirp, ‘Castings’ calls up ancestral muscle memories

March 24, 2022

Dionne Lee's show at Et al. probes the gravity of inheritance—and the sweet, simple joy of letting something go.

Ava Morton

In tamara suarez porras’ ‘parallax errors,’ fractured apparitions of changing perception

Mouthpieces, mistletoe, cuttlefish bones summon sonic interplay in ‘auxil’

Finding ourselves, finding others in Sofía Clausse’s ‘Labyrinth’

Don’t fear the blackout? ‘through the electric grid promised land’ binds in darkness

Self-definition in constant flux at SF State’s ‘Have You Seen Me?’

Lee Materazzi’s ‘Nipples Pulled Through’ is freckled with interjections of her body

‘Material Conditional’ refashions cultural refuse into objects of adoration

Kija Lucas scans her roots in ‘A Taxonomy of Belonging’

Time slips to dizzying photographic effect in ‘Considered Interactions’

Review: With crunch and chirp, ‘Castings’ calls up ancestral muscle memories

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