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Saturday, May 27, 2023
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48 hills
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Ava Morton
8 POSTS
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Art Review
Don’t fear the blackout? ‘through the electric grid promised land’ binds in darkness
April 11, 2023
A fantastical and nightmarish installation at / slash art exposes modern-day terrors.
Art Review
Self-definition in constant flux at SF State’s ‘Have You Seen Me?’
March 13, 2023
Curators Sharon E. Bliss and Kevin B. Chen bring together artists who challenge assumptions in the way we look at each other.
Art Review
Lee Materazzi’s ‘Nipples Pulled Through’ is freckled with interjections of her body
February 13, 2023
At Eleanor Harwood Gallery, the artist shows vibrant personal work she made with her daughters as collaborators
Art
‘Material Conditional’Â refashions cultural refuse into objects of adoration
December 15, 2022
Leeza Doreian & Liz Harvey: Material Conditional (through December 27 at Round Weather), pushes against the excessive nature of fast fashion by portraying and...
Art Review
Kija Lucas scans her roots in ‘A Taxonomy of Belonging’
November 17, 2022
A masterful exploration of family emigration—and a rebuttal of racial classification—at SF Camerawork
Art Review
Time slips to dizzying photographic effect in ‘Considered Interactions’
May 12, 2022
A Casemore Kirkeby, dark humor points to the frustrating and curious challenge of seeking to capture something already changing.
Art
Review: With crunch and chirp, ‘Castings’ calls up ancestral muscle memories
March 24, 2022
Dionne Lee's show at Et al. probes the gravity of inheritance—and the sweet, simple joy of letting something go.
Art
Review: Kennedy Morgan’s supple interlocking forms summon communal bonds
February 22, 2022
In 'Tied' at Cushion Works and Delaplane, the artist shows tactile graphite works of generative entropy
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