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Friday, April 26, 2024

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Bec Imrich

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Art Review

The eerie detritus, AI omens of ‘Daemonomania’

Anthony Discenza's show at Et al. encourages reflection on the mess in which we find ourselves.
Art Review

Ana Jotta’s ‘Never the Less’: Drawing in many senses of the word

At Wattis, the longtime Portuguese artist's first US show is an exhilarating peek into her work, rife with references and wordplay
Art Review

‘The Petal’ explores slippery imagery, through cyanotype and hydrograph

At Et al. etc, Misa Chhan and Lyric Shen' stitched fabric, image transfers, BDSM practices, and dye resists
Art Review

Cast iron dumpling sutures and winding graphite snakes in resonant ‘Malar’

"Malar"—a two person show with Alice Gong Xiaowen and Kennedy Morgan up at House of Seiko through June 25—embraces opacity from afar and rewards...
Art Review

Nan Goldin continues her nuanced dive into dependency and addiction

At Fraenkel Gallery, a powerful slideshow and abstract photos open empathetic pathways through the abyss.
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