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Saturday, December 14, 2024

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Charles Lewis III

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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Drama Masks: Amid topical twists, SF Ballet delivers another gorgeous ‘Nutcracker’

The annual fairy frolic enchanted an audience all-too-ready to embrace an epic battle against the evil Mouse King.
Stage Review

Drama Masks: Forget those Founding Fathers, the women save this ‘Hamilton’

The ultimate liberal comfort food musical retains its relentless hummability, even as we enter another Trump term.
Stage Review

Drama Masks: Bizet’s score still blazes in SF Opera’s ‘Carmen’

Conductor Benjamin Manis barely lets up. Plus: Shotgun Players' 'Thirty-Six' drags young dating scene into spotlight, apps and all.
Stage Review

Drama Masks: Surround yourself with family, of whatever kind you choose

Our new stage column reviews 'Jaja's African Hair Braiding,' 'Lettere d'Amore,' and Left Coast Theatre Co.'s 'Found Family'
Stage Review

Drama Masks: When the whole world feels ‘Akimbo’

Our new theater column: 'Kimberly Akimbo' at the Curran and '180 Days. To Die. To Live' at the March-Berkeley take on death, and life.
Stage Review

Drama Mask: ‘Matchbox Magic Flute’ is a mini-Mozart marvel

Our new theatre column reviews Mary Zimmerman's gateway opera, Sara Porkalob's wild 'Dragon Lady,' and a bewildering 'Ghost Quartet.'
Arts + Culture

Can’t they stay this way forever? Only if they bridge ‘The Gulf’

At New Conservatory, a toxic Southern-fried lesbian relationship tries to stay afloat through a Bayou fishing trip.
Stage Review

Two mighty giants of art go wall-to-wall in ‘The Contest’

Leonardo da Vinci vs. Michelangelo (with assists from Machiavelli) in Gary Graves' compelling drama at Berkeley City Club.
Stage Review

Top-notch cast and perfect timing bring cascades of laughter in ‘Fallen Angels’

Noël Coward's classic is reanimated at Aurora Theatre in grand style—and dials up the himbo-factor.
Art Review

Turbulence of recent past thrums though ‘Makeshift Memorials, Small Revolutions’

KADIST show takes on poignant personal effects of racism, fentanyl, queerphobia—but leaves out pandemic elephant in the room
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