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Monday, May 23, 2022
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48 hills
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Charles Lewis III
37 POSTS
1 COMMENTS
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review
Dancers lifted by a resonant voice in Alonzo King LINES Ballet’s ‘Deep River’
May 18, 2022
Collaboration among choreographer King, composer Jason Moran, and vocalist Lisa Fisher at YBCA captivates
Stage Review
‘Octet’ unleashes the demons of Internet obsession, in song
May 9, 2022
With a solid cast, Dave Molloy's play at Berkeley Rep takes on addiction to 24/7 digital culture—but should come with a tl;dr
Opinion
Unlike London Breed, I never took my mask off. Now COVID cases are up again
May 5, 2022
The mayor's 'back to normal' stance seems to mean reinvigorating the Financial District more than protecting her constituents
Dance
With a flash of ‘Swan Lake’ feathers, Helgi Tómasson departs SF Ballet
May 3, 2022
A cannily chosen classic brings glamour, tragedy, and hope as the company's artistic director bids farewell.
Stage Review
‘The Incrementalist’ contrasts Black activism then and now, radical or from within
May 2, 2022
Cleavon Smith's world premiere at Aurora Theatre aims for 'meet me halfway' dialog on Berkeley campus turmoil
Opinion
The ultimate troll just bought Twitter. Expect more pain for SF
April 25, 2022
Elon Musk hates BART, taxes, worker protections, marginalized folks, and the free press. Now he has a huge platform.
Stage Review
In ‘Endlings,’ a humorously profane dive into a vanishing Korean way of life
April 23, 2022
Ferocious Lotus and Oakland Theater Project collaboration highlights indelibly foul-mouthed seaside workers
Stage Review
Queer identity churns beneath religion, politics in ‘Drowning in Cairo’
April 19, 2022
Adam Ashraf Elsayigh's new time-jumping play examines the lives of three complex Muslim characters
Art Review
At MoAD, spring brings ghost-riding ‘Traumanauts,’ striking tapestries, haunting elegies
April 14, 2022
Afrofuturism meets 19th-century preservation and 21st-century sorrow in latest shows on view
Stage Review
Time-tripping back to the height of AIDS in ‘PrEP Play’
April 13, 2022
'Peggy Sue Got Married' meets pre-exposure prophylaxis in Yilong Liu's relevant tale of generational disconnect
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