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Monday, March 18, 2024
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48 hills
Independent San Francisco News + Culture
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Charles Lewis III
186 POSTS
1 COMMENTS
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review
Don’t wake up from SF Ballet’s ‘Midsummer Night’s Dream’ too soon
March 17, 2024
Costumes by Christian LaCroix and excellent dancing quickly put viewers under Balanchine and Shakespeare's spell.
Stage Review
Lampooning the foibles of amity in ‘Look! We Have Friends!’
March 12, 2024
Killing My Lobster's latest comic adventure takes aim at Dale Carnegie, Hello Fresh, and the scent of Ben Shapiro.
Stage Review
Eviction breeds guerrillas as the people fight back in ‘Dirty White Teslas Make Me Sad’
March 6, 2024
Ashley Smiley's world premiere at Magic Theatre presses hot button issues through the lives of Black San Franciscans.
Art Review
Andrew Wilson’s ‘Torn Asunder’ sees Black men in new light, two ways at once
March 6, 2024
Once a nude model, a photographer imparts the freedom he once felt to others, in show at Johnathan Carver Moore.
Opinion
So Macy’s is leaving. Let it go.
March 4, 2024
Let's use that space for a public benefit, not a corporate chain store.
Stage Review
‘Swan Lake,’ again? SF Ballet’s latest dip into classic justifies return
February 28, 2024
The company has performed the piece three times in four years, but stunning leads and ensemble work keep it fresh
Stage Review
Killing My Lobster sketches a decade of laughs, coked-up Spiderman and all
February 19, 2024
In 'Best of KML,' the venerable comedy troupe revisits some greatest hits—just don't toss that baby out the window.
Stage Review
Guess what, kids! Your family is a ‘Cult of Love’
February 16, 2024
Leslye Headland's new play at Berkeley Rep delves into the multifarious dysfunctions of a Jesus freak clan.
Stage Review
At SF Ballet, two very different sides of ‘British Icons’
February 14, 2024
Notoriously difficult, dissimilar pieces by Kenneth MacMillan and Frederick Ashton showed the company's versatility
Stage Review
It’s AI versus a good bowl of pho in ‘My Home on the Moon’
February 12, 2024
Minna Lee's Asian-focused queer sci-fi love story at SF Playhouse plumbs all-too-human depths of the uncanny valley.
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