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Saturday, April 27, 2024

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Charles Lewis III

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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Unbearable tension of ghosts past and present in ‘Returning to Haifa’

Palestinians come back home in the shadow of the Six-Day War, in Golden Thread's latest on Potrero Stage.
Stage Review

Revisiting the violent time when drag was illegal in ‘The Pride of Lions’

Risking it all in the 1920s to perform onstage and live authentically in Theatre Rhino's latest, by Roger Mason.
Stage Review

Hilarious performances whisk you up a shaky ’39 Steps’

San Francisco Playhouse lampoons a ripe Hitchcock—but you may want to binge your noir beforehand.
Stage Review

Outsize passions of Carmen and Frida take centerstage in ‘Dos Mujeres’

Premieres by Arielle Smith and Annabelle Lopez Ochoa at SF Ballet bring two well-known women to vivid life.
Stage Review

Spring (and the future) is in the air in Alonzo King’s latest show

The choreographer's two strong revivals and a new piece at YBCA spur the question, 'What comes next?'
Stage Review

Ranger, activist, housewife, centenarian: ‘Sign My Name to Freedom’ traces an extraordinary life

Betty Reid Soskin's continuing journey is set to music—and portrayed by four actors—at Z Space.
Stage Review

Shotgun’s ‘Midsummer’ misfires with broad caricatures, ‘Family Guy’ gags

The chemistry is good, but director William Hodgson buries Shakespeare's classic in "go big" gestures.
Stage Review

In poignant ‘The Far Country,’ immigrants caught in an endless cycle of abuse

Lloyd Suh's Berkeley Rep premiere shows the racist US system's damaging affects on Chinese workers.
Stage Review

Jewelle Gomez’s ‘Unpacking in P’Town’ lights out on 1959 chosen family vacay

Playwright says her latest calls upon real life, but its catty quintet seem oddly divorced from the times.
Stage Review

Everyone needs help in ‘Cost of Living’—but how will they ask for it?

Martyna Majok's play at Oakland Theater Project takes on America's horror of "hand-outs" with fine performances.
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