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Friday, March 24, 2023
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48 hills
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Charles Lewis III
102 POSTS
1 COMMENTS
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review
SF Playhouse’s staging of ‘Clue’ is a real whodunnit
March 24, 2023
Our critic finds the play's talented cast and director working with a proverbial dead body.
Stage Review
In ‘Mondragola,’ a young radical faces down—Machiavelli?
March 22, 2023
Central Works’ season opener lampoons theatre itself, just as much as politics.
Stage Review
Monk ado about belief and destiny in Luis Alfaro’s ‘The Travelers’
March 10, 2023
The playwright's recent work at Magic Theater followed a monastery suffering a crisis of faith and funds.
Stage Review
‘Cambodian Rock Band’ faces down terrors of genocide with zingers and jams
March 9, 2023
Lauren Yee's musical at the Berkeley Rep interrogates a terrible history with song.
Best of the Bay
Best of the Bay Editors’ Pick: Stage Werx
March 8, 2023
A mighty little venue that embodies the spirit of independent theater in the Bay Area
Stage Review
Fizzy and full of song: You’ll get a kick out of ‘Anything Goes’
March 6, 2023
42nd Street Moon's production of the Noel Coward chestnut boasts a game cast and plenty of familiar tunes.
Best of the Bay
Best of the Bay 2022 Editors’ Pick: Red Poppy Art House
March 3, 2023
The long-running Mission arts venue's charms come through in diverse music, poetry, dramatic readings, and comedy shows.
Stage Review
‘Getting There’ wove Ugly American tropes into Parisian storylines of love and loss
March 1, 2023
Dipika Guha’s world premiere one-act at New Conservatory entertained as it lampooned.
Stage Review
In ‘Crushing Wheelchairs,’ stinging tales of being unhoused, by the unhoused
February 22, 2023
Theatre of the POOR's production builds a sense of community while calling out 'the violence of looking away.'
Best of the Bay
Best of the Bay 2022 Editors’ Pick: Jeunée Simon
February 21, 2023
The actor creates safe spaces of excellence, expression, and diversity in every production she graces.
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