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Monday, May 20, 2024

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Charles Lewis III

203 POSTS1 COMMENTS
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Art Review

Andrew Wilson’s ‘Torn Asunder’ sees Black men in new light, two ways at once

Once a nude model, a photographer imparts the freedom he once felt to others, in show at Johnathan Carver Moore.
Opinion

So Macy’s is leaving. Let it go.

Let's use that space for a public benefit, not a corporate chain store.
Stage Review

‘Swan Lake,’ again? SF Ballet’s latest dip into classic justifies return

The company has performed the piece three times in four years, but stunning leads and ensemble work keep it fresh
Stage Review

Killing My Lobster sketches a decade of laughs, coked-up Spiderman and all

In 'Best of KML,' the venerable comedy troupe revisits some greatest hits—just don't toss that baby out the window.
Stage Review

Guess what, kids! Your family is a ‘Cult of Love’

Leslye Headland's new play at Berkeley Rep delves into the multifarious dysfunctions of a Jesus freak clan.
Stage Review

At SF Ballet, two very different sides of ‘British Icons’

Notoriously difficult, dissimilar pieces by Kenneth MacMillan and Frederick Ashton showed the company's versatility
Stage Review

It’s AI versus a good bowl of pho in ‘My Home on the Moon’

Minna Lee's Asian-focused queer sci-fi love story at SF Playhouse plumbs all-too-human depths of the uncanny valley.
Opinion

COVID safety is a progressive responsibility

Government, media, institutions no longer work to protect us; we need to keep raising our voices and taking action.
Stage Review

‘Babes in Ho-lland’: Black lesbians deserve cute rom-coms, too

Unexpected love in the college dorm brings up memories of '90s sitcoms in Shotgun Players' latest.
Stage Review

‘Mere Mortals’ drowns its provocative beauty in noise and lights

SF Ballet takes on the promise/threat of Artificial Intelligence, but the digital onslaught is all too much.
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