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Thursday, November 28, 2024

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Charles Lewis III

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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

‘Best Available’: For theater lovers, uncomfortable in all the right ways

Shotgun Players' production wends through the tangle of absurdities of being artistic in a capitalist world.
Stage Review

When is a flute not a flute? SF Opera’s ‘Magic Flute’ pipes a wild tune

A blizzard of visual distractions—welcome, overwhelming—marks Suzanne Andrade's cinematic production.
Stage Review

Life ends at 30? It’s complicated (and very Gen X) in ‘tick, tick… BOOM!’

Jonathan Larson's musical, which itself is turning 30, documents an artist's frustrations at a transitional age.
Stage Review

‘Galileo’: Strangely familiar music of the spheres

Script is sharp, cast is good, and music is catchy, yet rock musical at Berkeley Rep just misses cosmic harmony.
Stage Review

Killing My Lobster dives into improv pot for ‘Lobster Boil,’ emerges fully cooked

Unique script pushes the veteran comedy troupe to push for laughs like they have something to prove.
Stage Review

‘Hear Our Voices’: How many colors are in that Pride flag?

Left Coast Theatre Co.’s new show of shorts aims to represent myriad queer identities—and almost gets there
Stage Review

Mythic TikTok: Ancient heartbreak gets a Gen Z update in ‘Red Red Red’

OTP's staging of poet Anne Carsons retelling of the Greek tale of Geryon nails eternal youthful crushes.
Stage Review

‘Blue Door’ brilliantly worms out the mundane intricacies of Black self-hatred

At Aurora, Michael J. Asberry gives one of his best performances as an Ivy League prof haunted by valiant ancestors.
Stage Review

Uproarious camp-fest ‘Bitch Slap!’ is a surprisingly touching ode to SF

D'Arcy Drollingers tribute to over-the-top '80s soaps features the talents of folks who could only be found here.
Arts + Culture

‘The Tutor’ offers a radical take on love triangles, queer Iranian expat-style

Torange Yeghiazarian's NCTC play refreshingly lets a young lesbian from a repressive county just be horny.
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