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Friday, July 4, 2025

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Charles Lewis III

Charles Lewis III
291 POSTS1 COMMENTS
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Latine update of Coward’s ‘Private Lives’ added layers to 100-year-old toxic tale

At ACT, director K.J. Sanchez's race-bent casting discovered new depths in the marriage-is-hell comedy.
Stage Review

Killing My Lobster’s Agatha Christie send-up slays racist whodunnit tropes

The comedy troupe's 'J'Accuse!' gets its kicks spoofing melodramatic murderers and foul epithets.
Stage Review

A hearty Amen! to ‘The Black Feminist Guide to the Human Body’

At Magic Theatre, Lisa B. Thompson's play preaches holistic self-acceptance via three vivacious leads.
Stage Review

Clearing the cobwebs from ‘Arsenic and Old Lace’ at Center Rep

https://www.lesherartscenter.org/Home/Components/Calendar/Event/17293/3146
Stage Review

Cal Shakes returns with a sparkling cast for ‘As You Like It’

The rescued company's new production dazzles, but sudden tonal shifts can leave one lost in the forest of Arden.
Stage Review

Death is a vivid handshake in beguiling ‘Un Ballo in Maschera’

SF Opera's Verdi is taut and athletic under conductor Eun Sun Kim, with a game cast and striking costumes.
Stage Review

In ‘Paradise,’ Puerto Rico’s colonial struggles reflected in everyday life

Tere Martínez's bright, brief play at Brava shows how imperialism becomes the norm by pitting folks against one another.
Stage Review

In peppy ‘Legally Blonde,’ institutional sexism in pink and white

Ray of Light Theatre casting a Black lead in beloved story adds much-needed diversity, but also some confusion.
Stage Review

SF-born ‘Wicked’ celebrates its 20th anniversary

Why fix that witch ain't broken?
Art Review

Art is dead, long live art

Decaying works, deceased creatives—in new exhibition, the Berkeley Art Museum imagines itself a columbarium.
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