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Sunday, March 16, 2025

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DeWitt Cheng

DeWitt Cheng
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Art Review

Marc D’Estout’s absurdist ‘domestic objects’ are haikus to the uncanny

Welded and hammered steel forms at Triton Museum dare to avoid anthromorphic—and pandemic—interpretation.
Art Review

Heartfelt dispatches from an imaginary Swiss art school

Dan Levenson's 'Artifacts from the SKZ' conjures a movement that might have been, in surprisingly affecting ways.
Art Review

From First Lady to farmer, Amy Sherald paints a Black ‘American Sublime’

In a retrospective at SFMOMA, the artist known for her Michelle Obama portrait reaches back through history.
Art

Phillip Hua lyrically links his long-gone rural San Jose to digital life

'You Can Never Go Home Again' at Triton Museum maps sumptuous environmental nostalgia onto evocative grid-like forms.
Art Review

The ‘Queen of Art Deco’ finally gets her due

In first major US retrospective, de Young's 'Tamara de Lempicka' reveals stunning portraits of Russian aristocrats and lesbian sex workers.
Art

Mark Perlman’s encaustic microcosms diagram otherworldly elements

At Nancy Toomey, the artist maps infinitely meditative mental landscapes that transcend time and space.
Art

In John DiPaolo’s knockout abstractions, wandering thoughts and sudden perceptions

“There is no formula, no method, just a compulsion to experiment," says the painter, now showing at Dolby Chadwick.
Art Review

How Irving Penn brought the world to his studio—and vice versa

de Young retrospective teases out sheer range of the photographer's lens.
Art

Shot from a car window, the Golden Gate Bridge spans multiple timelines in ‘No Delays’

Nico Van Dongen's striking composite photographs capture the Bay sentinel's fourth-dimensional existence.
Art

A view of ‘Bay Area Now 9’: Triennial makes case for SF’s enduring creative community

Look to Janet Delaney and Lenore Chinn's pieces for proof of longstanding, vital role of local artists.
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