Sponsored link
Tuesday, April 1, 2025

Sponsored link

Emily Wilson

Emily Wilson
241 POSTS0 COMMENTS
Emily Wilson lives in San Francisco. She has written for different outlets, including Smithsonian.com, The Daily Beast, Hyperallergic, Women’s Media Center, The Observer, Alta Journal, The San Francisco Chronicle, California Magazine, UC Santa Cruz Magazine, and SF Weekly. For many years, she taught adults getting their high school diplomas at City College of San Francisco. She hosts the short biweekly podcast Art Is Awesome.

From casting director to portraitist: Jiab Prachakul finds spirit beneath surface

Scenes of family ties and bar flies populate walls in new show 'Simplicity/Complexity' at Micki Meng.

How to tell our stories of the last three years? Dance ‘In the Presence of Absence’

For Deborah Slater, it took a profound collaboration with community to encompass the vast experience of the pandemic

Arleene Correa Valencia’s luminous art reflects family strains of Mexican migration

'Naces Así, Naces Prieto. No Naces Blanco' at Catharine Clark includes cross-border, father-daughter letters of love

In Justin Yoon’s art, melancholy queer nostalgia sports gleaming blue pecs

A world where martinis, romance, and cigarettes in the movie theater rule.

The Town blooms in Misty Copeland and Leyla Fayyaz’s dance film ‘Flower’

Produced by Nelson George, the short feature celebrates organized resistance in the face of community displacement.

Wall-to-wall de Young Open offers up Bay’s creative bounty—and supports artists, too

More than 7,000 artists applied for this year's edition. What trends do jurors see in their work?

At Fringe Fest, a tale of bullied young immigrants ‘Dancing Home’

Dyana Díaz's play was inspired by a children's book—and her own experience at the San Francisco Youth Theatre

Feeling out ‘What’s that about’ with curator Saif Azzuz

From Coyote tales to AstroTurf, show at Anthony Meier aims to build community rather than impose meaning

Black queer art made visible: Speaking with gallerist Jonathan Carver Moore

'The element of surprise and learning about what's behind the painting, the photograph, the sculpture—I love that.'

In ‘Pedro & Daniel’ and ‘Gordo,’ cracking open the young queer Mexican American experience

Two books set in the '70s detail the lives of young boys—two brothers and a farmworkers' son—vividly and loving