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Saturday, November 23, 2024

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Emily Wilson

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Emily Wilson lives in San Francisco. She has written for different outlets, including Smithsonian.com, The Daily Beast, Hyperallergic, Women’s Media Center, The Observer, Alta Journal, The San Francisco Chronicle, California Magazine, UC Santa Cruz Magazine, and SF Weekly. For many years, she taught adults getting their high school diplomas at City College of San Francisco. She hosts the short biweekly podcast Art Is Awesome.

Feeling out ‘What’s that about’ with curator Saif Azzuz

From Coyote tales to AstroTurf, show at Anthony Meier aims to build community rather than impose meaning

Black queer art made visible: Speaking with gallerist Jonathan Carver Moore

'The element of surprise and learning about what's behind the painting, the photograph, the sculpture—I love that.'

In ‘Pedro & Daniel’ and ‘Gordo,’ cracking open the young queer Mexican American experience

Two books set in the '70s detail the lives of young boys—two brothers and a farmworkers' son—vividly and loving

Taravat Talepasand will not be silenced

She's made it through censorship and the Trump administration—and the Iranian American artist is still telling her truth.

“Resting Our Eyes” taps the power of Black women in repose

Sadie Barnette, Mickalene Thomas, Carrie Mae Weems, Lava Thomas, more pay homage to beauty and respite.

A ‘Frida y Diego’ opera that ditches clichĂ©s (and castanets)

'We bring our vision as contemporary Mexican artists and avoid all this noise,' says Lorena Maza of SFO's first production in Spanish

Binding craft to concept at Center for the Book, from Yoko Ono to Reginald Walker

Curator Megan N. Liberty's latest show highlights a surprising artistic intersection of materials and ideas.

Munch’s ‘Madonna’ and a Marina Abramović rose quartz dragon on which to rest

With surprising range, "Rituals of Devotion" explores the many languages of love.

‘What These Walls Won’t Hold’ is incarcerated people’s drive to create

Adamu Chan's documentary blows lid off official accounts of life in San Quentin at the height of COVID.

With joy and uplift, COLORFORMS leaps from screen to stage at SF Ballet

COVID forced choreographer Myles Thatcher to film his new dance at arts institutions; now it debuts live