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Monday, March 27, 2023

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Pam Grady

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Exquisitely embroidering a tale of complex love in ‘The Blue Caftan’

Moroccan filmmaker Maryam Touzani on how she brought the story of a tailor, his wife, and their apprentice to life

‘Return to Seoul’ traces a conflicted search for identity, rooted in nation and memory

French-Cambodian filmmaker David Chou on bringing the tale of a young French-Korean woman to screen

Watching a daughter grow up, in Oscar-nominated ‘How Do You Measure A Year?’

Director Jay Rosenblatt talks about recording an interview with Ella every year from age 2 through 18

Still fascinated by Elvis: Baz Luhrmann on his bio-pic that helped revive a legend

'I wanted to explore the birth of an artist, and counterpoint it with the big salesman doing the snow job,' the director says

Director Laura Poitras is still making her own kind of explosions

Oscar-winning documentarian Laura Poitras used to live in San Francisco, where performance artist Mark Pauline was a neighbor and he and his Survival Research...

Bringing love story ‘Spoiler Alert’ to the screen, through grief, chance, and friendship

Jim Parsons and Ben Aldridge talk about starring in Michael Ausiello's true-life tale of losing his partner

Nikyatu Jusu mines the precarity of immigrant labor for terror in ‘Nanny’

"If every domestic worker stopped working tomorrow, a lot of people's lives would fall apart in this capitalistic system," the director says.

With ‘Argentina, 1985,’ Santiago Mitre aims at another scary swerve to the right

'Cinema can collaborate with justice,' says the filmmaker, telling the story of a military junta's downfall with contemporary urgency

The good, the bad, and the ugly at this year’s Toronto Film Festival

Sania Halifa captivates in 'Hawa' and Harry lays it bare in 'My Policeman'—but what was Sam Mendes thinking with his latest?

“This is an essential American story”: director Julie Ha of ‘Free Chol Soo Lee’ speaks

How a documentary that preserves a key moment in Bay Area history came to be.