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Saturday, November 23, 2024

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Pam Grady

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Intersex community claims its voice in director Julie Cohen’s ‘Every Body’

'In the Western world, there's a desire to put things into boxes. I think a lot of us are uncomfortable with those boxes.'

‘Past Lives’ actor Greta Lee: ‘This movie should be rated X emotionally’

Director Celine Song and her debut movie's star talk about conveying delicate experiences through humans without superpowers

Director Mary Harron’s Salvador Dalí: ‘His terror of death makes him human’

New 'Dalíland' sets the eccentric surrealist and his muse in the wild environs of '70s New York City.

‘Too ugly to be a Yankee’ Yogi Berra’s story comes to the big screen

'It Ain't Over' tells the story of an overlooked and underestimated great athlete.

‘Sisu’ director heads to Finnish homeland for Nazi-killing romp

Jalmari Helander on why he loves when cast and crew are struggling against the elements.

Director Gregg Araki on the enduring brutality of ‘The Doom Generation’

"I wish the movie was a little more obsolete in that way, and that people would go, ‘What’s a neo-Nazi? We don’t know what that is.’”

Director Kelly Reichardt on ‘wading into the tactile world’ of art for her latest

'The the first thing I sent Michelle Williams was an image of Lee Bontecou sculpting,' filmmaker says of 'Showing Up'

How to film ‘How to Blow up a Pipeline’

Daniel Goldhaber’s eco-thriller aims to 'encourage people to do what they think is right' about the climate crisis.

Exquisitely embroidering a tale of complex love in ‘The Blue Caftan’

Moroccan filmmaker Maryam Touzani on how she brought the story of a tailor, his wife, and their apprentice to life

‘Return to Seoul’ traces a conflicted search for identity, rooted in nation and memory

French-Cambodian filmmaker David Chou on bringing the tale of a young French-Korean woman to screen