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Sunday, March 29, 2026

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Charles Lewis III

Charles Lewis III
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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Drama Masks: Could the tide be turning?

What Pandora's box really held. Plus: youthful (and not so youthful) hijinks in SF Opera's 'Parsifal' and 'Dada Teen Musical'
Stage Review

Drama Masks: ‘Suffs’ brings the fervor, ‘Spanish Stew’ heats up old school SF

Plus: Fascinating 'Pilgrimage' follows four Muslim women on their Hajj to Mecca. A trio of new play reviews
Drama Masks

Drama Masks: In no mood for theatrics

When self-professed "villain" Scott Wiener is centerstage at the No Kings rally, maybe it's time to question the whole production.
Stage Review

Drama Masks: A gloriously naughty ‘Rocky Horror,’ just when we need it

D'Arcy Drollinger and cast go over the top—yes, it's possible—with the beloved 50-year-old musical at Oasis.
Stage Review

Drama Masks: ‘Hot Wing King’ pours on subversive tang

Plus: At Terror Vault's 'Hexed,' search for the magic crystal to fight the Coven of Three in the Himalayas!
Stage Review

Drama Masks: ‘Kim’s Convenience’ bags the laughs with intriguing drama

Ins Choi’s sitcom-adjacent play at ACT tells the story of a Canadian shopkeeper's family facing the future.
Onstage

Fall into theater: 11 shows to catch this season

From Arthurian opera and deportation reenactment to D.I.R.T. Fest and 'Spanish Stew'—our critic's picks for best stage bets.
Stage Review

Drama Masks: SF Opera and Shotgun Players ask, What price life?

'Dead Man Walking' and 'The Motion' investigate the value we place on existence, in very different ways.
Arts + Culture

Best of the Bay 2025 Editors’ Pick: Z Space

A blessedly versatile former can factory has become a well-established gem of a stage complex—and party place.
Stage Review

Drama Masks: At Z Space, a flashback to the day that was much too much

'The Day the Sky Turned Orange,' plus 'The Reservoir''s ensemble work, and femmes rise in 'Indecent.'
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