Sponsored link
Saturday, February 7, 2026

Sponsored link

Best of the Bay 2025 Editors’ Pick: Z Space

A blessedly versatile former can factory has become a well-established gem of a stage complex—and party place.

48 Hills editors and writers are highlighting their favorite people and things of 2025. Vote now for your own favorites in our 51st Best of the Bay Readers’ Poll! And join us October 22, 6pm-9pm, at El Rio for the 48 Hills Annual Community Gala to party with the winners and celebrate the independent spirit of the Bay Area.

Despite so much classic SF architecture having been torn down, old factory buildings still inspire with their continued adaptability in the hands of new tenants. The block-long beauty on Florida Street is just full of surprises, for instance. Its entrance almost seems hidden, forcing you to turn a couple of corners to find it, no matter from which street you approach. If you’ve heard that lots of wild shows happen in this former can factory, you haven’t heard the half of it. If that weren’t enough, there’s additional 85-seat stage tucked away just under the main entrance. The shows in that one aren’t (always) as elaborate, but they’re no less memorable.

Surprise is an unofficial trademark of Z Space, the beloved performance venue between the Mission and Potrero. Although the gigantic mainstage doesn’t take up every square inch of the interior, it’s somehow still surprising to walk into this old warehouse where countless indie performers have each turned into their personal playground. You’re not shocked to know one show (maybe Macbeth) looks nothing like the last one (perhaps a new musical). Instead, you ask “What haven’t they done there yet?”

Sins Invalid performance in 2011 at Z Space.

It’s been 12 years since the organization expanded with Z Below. It was the former HQ for the Traveling Jewish Theatre, went on to host many-a Kissing My Lobster show, is the de facto home for short story stage adaptors Word for Word, has played a sinking ship for flamenco performers, and so much more. That’s a lot of history for a decade-old add-on.

As every venue in the city is scrambling to keep the lights on, it’s a relief to know that this red-bricked beauty is still around to serve as a growing space for indie artists all over the Bay Area. I’m not sure what I’ll see there next, but I do expect a surprise or two.

Charles Lewis III
Charles Lewis III
Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com

48 Hills welcomes comments in the form of letters to the editor, which you can submit here. We also invite you to join the conversation on our Facebook, Twitter, and Instagram

Sponsored link

Sponsored link

Latest

The Super Bowl, labor, and economic inequality

I played in the NFL for 7 years. If we could change the profit system in something as quintessentially American as professional football, we can change it anywhere.

‘Sex trafficking’ stings—or ICE deportation at the Super Bowl?

The Super Bowl trafficking panic doesn’t reduce exploitation—it legitimizes policing that harms sex workers and immigrants

Puff: Honoring Wayne Justmann, SF’s original stoner

He worked the door at Dennis Peron's buyer's club, witnessed legalization firsthand—and treasured cannabis community.

Live Shots: Trish Toledo’s retro soul took Brick & Mortar for a ride

Singer's sweet SoCal sounds cruised back to a different era.

You might also likeRELATED