Saturday, July 4, 2026

Joshua Rotter

Joshua Rotter
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Joshua Rotter is a contributing writer for 48 Hills. He’s also written for the San Francisco Bay Guardian, SF Weekly, SF Examiner, SF Chronicle, and CNET.

Dirty queens done dirt cheap: GayC/DC hits with queer ‘refresh’ of classic rockers

'We're just getting up there and blowing it out,' says renowned Pride Fest act, who count Rob Halford and Sebastian Bach as fans.

Lilly Wachowski on 30 years of ‘Bound,’ trans revolution, and Nazis snatching ‘The Matrix’

'We had reservations back then about speaking about our art because we were both closeted trans women,' says filmmaker, appearing at Frameline.

Fresh Meat Fest serves queer Chinese dance, Puerto Rican disability drag flair

25th anniversary of queer arts showcase features sterling lineup of talent from all corners of the LGBTQ universe.

We love you, Mamie Van Doren

95-year-old Hollywood legend's new memoir 'You Thought I Was Dead' gushes with celebrities, sex, champagne—and survival.

Surely, they must still be joking: ‘Airplane! Live’ lands classic 1980 movie’s gags

'The more serious we were, the more the comedy worked,' says star Robert Hays, coming to SF with co-star Julie Hagerty.

San Francisco does, indeed, want The Human League

Monster '80s hitmakers return to city where they feel at home, this time with Soft Cell and Alison Moyet in tow.

Ladytron resurfaces, with the cool synth pleasures of ‘Paradises’

'Without electroclash, there’s no Lady Gaga,' says band that embodied and transcended that scene, returning to SF.

Shoegaze dreamers Chapterhouse leap back into ‘Whirlpool,’ 35 years on

'Incredible pop tunes hidden in all that noise': UK outfit's landmark LP swam in scene's deep end—and still grows in influence.

Boots Riley is here to boost you

Oakland icon pulls no punches talking about new movie 'I Love Boosters' and the power of collective organizing.

Comedy pioneers BATS Improv turn 40, with more wild flights of storytelling

'The excitement of improvisation was palpable, and the joy of being onstage together was addictive,' co-founder says of early years.