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Wednesday, April 16, 2025

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PerformanceDrama Masks

Drama Masks

Drama Masks: Walking in circles

Shocking banality of evil in 'Here There Are Blueberries' and an Armenian cry against injustice, with puppets, in 'Azad.'

Drama Masks: Performative politics

SF Ballet's 'Van Manen' renders the art form accessible and Izzard crunches 'Hamlet,' while 'the boiling' offers a magnetic pandemic tale.

Drama Masks: Dreamlike delivery of prim-and-proper trans history in ‘I Am My Own Wife’

Plus: SF Ballet's 'Frankenstein' was a Gothic, if not great, delight and Killing My Lobster's new 'fun run' rips and roars.

Drama Masks: Fear not the fan

Coleman Domingo's 'Wild With Happy' blends Black Baptist sensibility with Disneymania, 'Nobody Loves You' finds no quarrel here.

Drama Masks: Drawing the line

Opera Parallèle's 'The Pigeon Keeper' took on the costs of xenophobia, while Central Works' 'Push/Pull' tackles toxic masculinity.

Drama Masks: When illness derails the performance

As flu and COVID cases rise (many of them deadly), how will the local theater scene adjust its communal experience?

Drama Masks: ‘Uncle Vanya’ breathes new life; ‘Cuckoo Edible Magic’ gets stoned

Chekhov gets a fresh and electrifying update at Berkeley Rep, while SFBATCO delivers an anime-inspired sentient rice cooker battle.

Drama Masks: Time can work against us all

This is Drama Masks, a Bay Area performing arts column from a born San Franciscan and longtime theatre artist in an N95 mask. I...

Drama Masks: When public transit woes make you miss the show

BART and Muni cuts—not to mention the threat the new regime poses to local arts—will most certainly sever theatre lifelines.

Drama Masks: Voices of incarcerated women take center stage at YBCA

Art exhibit 'The Only Door I Can Open' and Flyaway Productions' 'I Give You My Sorrows' speak out for prisoners' rights.

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