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Thursday, March 28, 2024

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Tagged with: Films

Screen Grabs: Listening to legends of the Bayou with Les Blank

'I Went to the Dance' delights. Plus: powerful immigrant saga 'Marisol,' redevelopment dilemma in 'White Building'

Swans’ Michael Gira: ‘Successful music is a river of blood, urine, and semen. Swim!’

41 years in, the legendary experimental band still finds beauty in nihilism on latest album 'The Beggar'

Screen Grabs: Getting warm and fuzzy over ‘Terminator 2’ and ‘Aliens’

Plus: Recalling the erotic thriller craze, creepy 'Good Boy,' terrifying 'Klondike,' cute 'Aristotle and Dante,' more

Eyeing the bounty of experimental films at CROSSROADS 2023

SF Cinematheque's 14th installment promises alchemical techniques, diabolical creations, frenetic explosions of color

Bernal Heights Outdoor Cinema celebrates 20 years of awe beneath the stars

Hyperlocal film festival 'builds vibrant community and connects us to our shared humanity,' say cofounders

Screen Grabs: Seeing the other side of Scorsese

Plus: Alternative Visions goes Buñuel, Astrakan touches, #Chadgetstheaxe swings, Perpetrator misses, more movies

Screen Grabs: Saluting 25 years of great world cinema (and three Rambos)

BAMPFA salutes Rialto Pictures. Plus: A West Oakland classic from 1998 returns at last

Screen Grabs: No one can play it like ‘Johnny Guitar’

Joan Crawford's catty Western comes to the Roxie. Plus: 'Mobland' could cut the yapping, but Travolta's good

Screen Grabs: The scream queen has evolved—and she’s got real problems

A Tunisian cop gets burned, a relationship spirals catastrophically, and 'The Shining' but lesbian. New movies!

Screen Grabs: Two tough films focus on the people hit hard by economic inequality

Great examinations of working class erosion ('Between Two Worlds') and family opioid addiction ('Stay Awake')