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Thursday, May 9, 2024

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Charles Lewis III

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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Stage Review

Shotgun’s ‘Midsummer’ misfires with broad caricatures, ‘Family Guy’ gags

The chemistry is good, but director William Hodgson buries Shakespeare's classic in "go big" gestures.
Stage Review

In poignant ‘The Far Country,’ immigrants caught in an endless cycle of abuse

Lloyd Suh's Berkeley Rep premiere shows the racist US system's damaging affects on Chinese workers.
Stage Review

Jewelle Gomez’s ‘Unpacking in P’Town’ lights out on 1959 chosen family vacay

Playwright says her latest calls upon real life, but its catty quintet seem oddly divorced from the times.
Stage Review

Everyone needs help in ‘Cost of Living’—but how will they ask for it?

Martyna Majok's play at Oakland Theater Project takes on America's horror of "hand-outs" with fine performances.
Stage Review

Don’t wake up from SF Ballet’s ‘Midsummer Night’s Dream’ too soon

Costumes by Christian LaCroix and excellent dancing quickly put viewers under Balanchine and Shakespeare's spell.
Stage Review

Lampooning the foibles of amity in ‘Look! We Have Friends!’

Killing My Lobster's latest comic adventure takes aim at Dale Carnegie, Hello Fresh, and the scent of Ben Shapiro.
Stage Review

Eviction breeds guerrillas as the people fight back in ‘Dirty White Teslas Make Me Sad’

Ashley Smiley's world premiere at Magic Theatre presses hot button issues through the lives of Black San Franciscans.
Art Review

Andrew Wilson’s ‘Torn Asunder’ sees Black men in new light, two ways at once

Once a nude model, a photographer imparts the freedom he once felt to others, in show at Johnathan Carver Moore.
Opinion

So Macy’s is leaving. Let it go.

Let's use that space for a public benefit, not a corporate chain store.
Stage Review

‘Swan Lake,’ again? SF Ballet’s latest dip into classic justifies return

The company has performed the piece three times in four years, but stunning leads and ensemble work keep it fresh
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