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Monday, May 11, 2026

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Charles Lewis III

Charles Lewis III
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Charles Lewis III is a San Francisco-born journalist, theatre artist, and arts critic. You can find dodgy evidence of this at thethinkingmansidiot.wordpress.com
Onstage

Drama Masks: The Manhattanization of San Francisco stages

Bilal Mahmood's proposal for a new arts district promises to be of little benefit to local creatives.
Stage Review

Drama Masks: The audience is listening—but who is ‘The Notebook’ romancing?

Plus: Anti-fascist sentiment spills onto stage—putting an actor at risk.
Performance

Drama Masks: Why is SF Ballet still performing at the Kennedy Center?

Some of the country's most prominent artists have dropped out after Trump's takeover. Why not our Ballet?
Stage Review

Drama Masks: Feel good this plot is not

Plus: 'How Shakespeare Saved My Life' fumbles in tale of a young man's love for The Bard and hip-hop.
Stage Review

Drama Masks: New looks at ‘A Streetcar Named Desire’ and ‘Eugene Onegin’

Stripped down at ACT and revamped at SF Ballet, two very familiar tales take January's big stages.
Stage Review

Drama Masks: Does ‘The Book of Mormon’ hold up in darker times?

'South Park' creators' Broadway smash returns at 15. Plus: Killing My Lobster popped back in with a sexy mime competition.
Onstage

Drama Masks: Stage predictions for 2026

Will AI take over companies? Would a recession be good for artists? And which three companies give us hope for local theatre's future?
Onstage

Drama Masks: Does City Hall even care about the arts anymore?

Mayor Lurie's city charter reform group contains no one with local arts experience, sidelining a huge part of SF.
Stage Review

Drama Masks: Year on Stage 2025, part 2—the good stuff

When times got tough, our best artists got fierce: Golden Thread, OTP, Mime Troupe, Marga Gomez were standouts.
Stage Review

Drama Masks: Year on Stage 2025, part 1—the not-so-great stuff

A year of devastating cuts, wild uncertainty, and unexpected departures left its mark on the SF scene.
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