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Monday, February 9, 2026

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Marke B.

Marke B.
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Marke Bieschke is the publisher and arts and culture editor of 48 Hills. He co-owns the Stud bar in SoMa. Reach him at marke (at) 48hills.org, follow @supermarke on Twitter.
Music

After 17 years, electronic duo Microfilm still make wistful bangers together

Latest album 'Body Arcana' explores the couple's blend of queer pop sensibility with shimmering dance floor acumen
Arts Forecast

Arts Forecast: Fine shows in full bloom, from corpse flower to Cure songs

Art is all around, and smells better, too. Plus: Free Folk Fest, Ambient Grace, Chinatown Dragon, Hella Warped, Cockettes, more to do
LGBTQ

Supreme Court caps off Pride month with a slap of bigotry

I can't believe we've gone so far backwards that we have to care what Christians think of us again.
Live Shots

Our first Pridetinis party was an absolute blast

Teeny 'tinis, Irish food, comedy, drag, disco, and a cute crowd came together at Casements to kick off Pride
LGBTQ

ULTIMATE PRIDE GUIDE 2023: More, more, more

Marches, parties, films, parties, art, more parties—let's celebrate our community in these freaky times.
Arts Forecast

Arts Forecast: International Arts Fest hits stride, Audium throws back, Juneteenth blows up

Plus: Goldie, Wesli, Veronica Klaus, Blake Cedric, Otep, Southern Culture on the Skids, more to do this weekend
Arts Forecast

Arts Forecast: National Queer Arts Fest’s spunky ‘murmurations of queer power’

Plus: Bay Area Theater Week, DJ Tony Humphries, Swimming with Lesbians, singalong 'Moana,' more to do
Movies

Win a ticket to a Frameline Film Fest movie!

We've got 25 tickets to give away to the world's biggest LGBTQ+ film festival (June 14-24)—here's how to enter.
Movies

Join us at Castro Theatre June 19 for ’90s Black queer landmark ‘Chocolate Babies’!

26th anniversary screening of New Queer Cinema classic plays at Frameline Film Fest on Juneteenth, sponsored by 48 Hills
Movies

’90s arts icons confront tech dystopia in Camera Obscura’s landmark film ‘Virtue’

Returning to the Roxie, the 1997 underground star-filled sci-fi broadside against alienation and fraud stirs poignant memories
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