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Friday, April 19, 2024

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Arts + CultureMusicWant to save struggling live venues? Help pay their...

Want to save struggling live venues? Help pay their bills directly

New Independent Venue Preservation Initiative hits on a brilliant idea: rapid financial relief from the community

“It’s all really hard to say and terrible to spell,” live music maven Elizabeth Simon says with a laugh. “But it’s direct and to the point, and that’s what we need right now to save the spaces we love.”

Simon was talking about the freshly launched Independent Venue Preservation Initiative, or IVPI, a nonprofit she started with a brilliantly fresh idea: As independent music venues struggle to make ends meet during the pandemic shutdown (even with limited capacity reopening), why not pay their bills directly?

“Nobody has done this before—paying bills on behalf of venues using crowdfunded donations,” Simon told me over the phone. “It’s the kind of rapid financial relief that seemed missing when I first came up with the idea around Thanksgiving. That was when things seemed very dark and it felt like hardly anything was being done to save these spaces.”

Here’s how it works: Donors sign up via the IVPI’s “Subscribe to Live” Patreon and choose a level of monthly micro-donation. (You can also submit a one-time donation.) Qualified and vetted venues submit their bills—electricity, water, rent, insurance, and other expenses from the organization’s Essential Items list —to IVPI for payment. Then, voila, IVPI pays the bills and the venues and patrons sigh with some relief. Bill payment requests “can date back from February 2020 and continue until venues can open at full capacity.”

IVPI helps provide a lifeline for venues still waiting for Shuttered Venue Operator Grants (which only just started accepting applications last month) and other forms of government support that often are slow in coming and barely cover what venues are still up against. Local initiatives from the SF Independent Venue Alliance and SF Venue Alliance, as well as the SF Queer Nightlife Fund, have been raising money from private donors to distribute among venues. Supervisor Matt Haney recently announced that $3 million of the city’s budget surplus would be allocated to the new SF Music and Nightlife Recovery Fund, which his office helped initiate.

But smaller venues need relief now, before disaster strikes and our independent concert halls all transform into dreaded Applebeeses, or worse, Chili’ses. Absent a drastic expansion of the COVID commercial eviction moratorium (let alone a commercial rent freeze), this possibility seems more real than ever as operators continue to struggle.

Elizabeth Simon of IVPI

“People understand right now that emergency is the catalyst,” Simon, whose scene bonafides include music promotion and booking organization Bourgeois Productions Presents and cult baking company Revenge Pies, told me. “San Francisco has been through a lot in the last 10 years, let alone this past one. There’s been a lot of turnover in terms of independent music and arts.

“If you’re not in the nightlife ecosystem then you may miss just how hard it’s been. We’re trying not just to help venues survive right now, but to bring awareness to this ongoing struggle for preservation of the scene.”

Simon estimates that it will take 70,000 regular donors to cover the amount of bills that 30-40 venues typically incur. (The venues, which must be independently owned, are kept anonymous for privacy reasons, she told me.) Currently, the IVPI is looking for companies to help them provide perks for donors. “If any tech billionaires are reading this and like music, give me a shout,” she said.

If that 70,000 number seems daunting, Simon takes it in stride. “Look, I’m the kind of person who’s known for sticking a middle finger up in a pie and selling it,” she told me with a laugh. “I know we won’t let this pandemic claim the scene so many of us love so dearly. I’m confident that we can reach this goal and save these venues.”

Click here to check it out and here to donate.

Marke B.
Marke B.
Marke Bieschke is the publisher and arts and culture editor of 48 Hills. He co-owns the Stud bar in SoMa. Reach him at marke (at) 48hills.org, follow @supermarke on Twitter.

2 COMMENTS

  1. Oh, I left out high rents. High rents closed a lot of clubs and high costs of doing business. Some private clubs with members may work as well, when and if people get their rent relief and their own personal relief funds that seem to be held up according to Tim Redmond’s article on the subject. Still waiting for the unemployment extensions to kick in. What is the holdup in Sacramento? https://48hills.org/2021/05/want-to-save-struggling-live-venues-help-pay-their-bills-directly/#comment-327803

  2. Two things that closed the clubs in San Francisco pre-pandemic were: Building housing next door and moving in residents that demanded quiet, and removing parking for artists and audience. The secrete new spot in SF is a place where people can park. Musicians need to move their gear and audience needs to park, especially at night. The most popular entertainment venues are out of SF in places where people can park. They don’t even need to serve alcohol draw people if they can park.

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