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Sunday, April 28, 2024

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MusicMusic Review

Music Review

So, about that new Beatles song….

'Now and Then' continues the Fab Four's technological journey with AI, but the video seems strange and sad.

A man, a plan, a swan: SF Opera’s ‘Lohengrin’ shimmers despite Wagner’s bloat

Striking sets, strong company, and excellent conducting by Eun Sun Kim enliven this epic journey through German folklore.

Portola Fest 2023: What worked (and didn’t) in year two of the dance music massive

Underworld rocked, Skrillex blasted, Nelly Furtado delighted, Black excellence reigned—but still a few kinks in the giant event

In SF Opera’s ‘The (R)evolution of Steve Jobs,’ a dial-up portrait of a complex Goliath

The trademark jeans and turtleneck are there, but details are as thin as an iPhone in new opera

‘Il Trovatore’ offers vengeful bloodlust, mystic kidnappers, and a sprint to the finish

SF Opera's new production of Verdi's overstuffed, time-jumping, ethnically problematic opera goes for the entertainment factor

At Greek Theatre, Sigur Rós leaned into easy uplift

Gone are the days when the Icelandic outfit repped the sound of the future—but at least the strings are pretty

Fans lost their cool over binki’s post-punk, shrugging star quality

The artist was charismatic, goofy, fun at Cafe du Nord—but what was with all the random crowd comments?

Eddie Chacon and John Carroll Kirby unleashed trippy boogie in a Fender Rhodes whorl

Sought-after singer and jazz keyboardist flowed through compositions at The Chapel.

The power of ‘Un bel dì,’ and SF Opera’s ‘Madame Butterfly’

They cut the yellowface—but is that enough to vindicate Puccini's tale of a devoted child bride?

Buffalo Daughter’s Shibuya-kei asteroid symphonies fell on ardent, avid crowd

'90s Japanese pop classics plus mutant disco prowess equalled joyous romp.

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