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Sunday, May 12, 2024

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MusicMusic Review

Music Review

Automatic blindsided new fans with post-punk future

Magical, mechanical doom thrills at group's recent four-night opening gig at Great American Music Hall

Striking visuals counter dated plot in ‘Die Frau ohne Schatten’ at SF Opera

Cast tackles challenging arias, but thank goddess we've moved on from 1919 in portraying gender roles.

Nabihah Iqbal’s golden sound waves left Cafe Du Nord buzzed

An intimate show became a impactful post-punk moodboard.

Os Mutantes and Hermeto Pascoal: Never underestimate a man in a chair

Two Brazilian sages of the avant-garde hit Bay stages, with vibrant energy (and a rubber pig) in tow

Garage punk power trio free jazz? It was the moment for James Brandon Lewis

At SFJAZZ for Noise Pop, the Sonny Rollins-anointed saxophonist burned the house down.

Noise Pop got trippy with snow-watch jazz and a royal local guest

Umbrellas be damned: Nate Mercereau, Carlos Niño, Jesse Peterson, and legend Idris Ackamoor kept SFJAZZ toasty

Noise Pop kicked off with plushie adoration for No Vacation

A sold out crowd of youthful acolytes filled the Chapel for the return of the Bay Area-bred indie faves.

With audience assist, the Grammys did right by hip-hop and (almost) Beyoncé

65th edition of the awards was actually good, celebrating global and essential roots forms.

Yo-Yo Ma’s trio sparkles, romps—and illuminates Beethoven’s sublime

Addition of violinist Leonidas Kavakos to Ma's collab with pianist Emmanuel Ax ignites new flame in the all-stars.

Bring the noise: Terrific live shows of 2022

Destroy Boys, Brijean, Björk, Moor Mother, The Zombies, and more lit up local stages and amped the scene

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