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Music

Arts + Culture

On James Devane’s ‘Searching,’ randomized snippets pair for off-kilter grooves

Daniel Bromfield -
'We have to make music that's weirder going forward,' says software engineer, whose program smashes jams together.
Music

Under the Stars: Wet your summer whistle with 40 years of ‘Purple Rain’

John-Paul Shiver -
Plus: Temperatures rise on Kaytranada's 'Timeless,' Mary Timony gets in her bag, dancing in Yerba Buena Gardens, more music
Music

Four sizzling mixes to slip into your summer

John-Paul Shiver -
Poolside sipping, UK breaks, grown 's sexy funk—pop on one of these sweet sonic journeys for your mental vacation.
Stage Review

SF Opera tackles mass shootings and class privilege in ‘Innocence’

Charles Lewis III -
>>We need you! Become a 48hills member today so we can continue our incredible local news + culture coverage. Just $20 a month helps sustain...
Music

Under the Stars: The sultry vintage hi-fi world of ‘Audio Erotica’

John-Paul Shiver -
Plus: Sunset Campout, The Donnas reissued, Drugdealer, Onra, 'Soft Summer Breezes,' more great music
Music

The ferocious, precocious musical odyssey of ‘Bette Davis Eyes’

Joshua Rotter -
Sultry synth classic resurfaces with singer Katrina Woolverton and original producer Val Garay at helm
Arts + Culture

Remembering basketball great Bill Walton’s life in service to the Dead

John-Paul Shiver -
>>We need you! Become a 48hills member today so we can keep up our incredible local news + culture coverage. Just $20 a month helps...
Music

Under the Stars: Juneteenth with Goapele, Porchfest in the Mission, All Day I Dream…

John-Paul Shiver -
'I Saw the TV Glow' soundtrack, Mulatu Astatke and foamboy live, Bandcamp picks from Fake Fruit and Magic Fig
News + Politics

48 Hills is finalist for 4 California Journalism Awards

Marke B. -
Nominations in Environment, Food, and Music Reporting highlight our excellent local coverage from local writers.
Stage Review

When is a flute not a flute? SF Opera’s ‘Magic Flute’ pipes a wild tune

Charles Lewis III -
A blizzard of visual distractions—welcome, overwhelming—marks Suzanne Andrade's cinematic production.

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