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Wednesday, February 12, 2025

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PerformanceStage Review

Stage Review

Drama Masks: Voices of incarcerated women take center stage at YBCA

Art exhibit 'The Only Door I Can Open' and Flyaway Productions' 'I Give You My Sorrows' speak out for prisoners' rights.

Drama Masks: Two nights at the Ballet, one hot and one cold

Weathering scoffs and tiffs at SF Ballet's Opening Night extravaganza, soaking in the provocative joys of 'Manon'

Live Shots: ‘The Lost Inn’ envelops audience in noir faerie intrigue

Site-specific production at The SF Mint makes it clear why immersive events are having a moment.

Drama Masks: 2025 kicks off with trans visibility center-stage

Glamorous 'Some Like It Hot' dances up historical inclusion; 'Dragcula' foregrounds the ultimate weapon: joy.

Year on Stage 2024, part 3: Working together is the way forward

More collaborations, more streaming, more bravery, more meaning—several ways local theatre can face what's ahead.

Year on Stage, 2024, part 2: The highs took a bold stand

The best productions of the year faced what was happening in the world directly, offering oases of inspiration.

Year on Stage 2024, part 1: The lows (and some hope)

The Bay Area theatre scene lost a lot—and ignored a lot—this year, when we needed it more than ever. But we're still hanging on.

Drama Masks: Two different ‘Carols’ while the world gets Scrooged

SF Mime Troupe's populist 'A Red Carol' and ACT's new 'A Whynot Christmas Carol' create a curious holiday dichotomy.

‘Golden Girls Live!’ goes big—but still wants to be your friend

The "Christmas Episodes" drag tradition expands to the Curran Theatre, but still keeps that comfy, campy charm.

Drama Masks: Amid topical twists, SF Ballet delivers another gorgeous ‘Nutcracker’

The annual fairy frolic enchanted an audience all-too-ready to embrace an epic battle against the evil Mouse King.

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