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Sunday, March 23, 2025

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PerformanceStage Review

Stage Review

Stage Review

Drama Masks: Fear not the fan

Charles Lewis III -
Coleman Domingo's 'Wild With Happy' blends Black Baptist sensibility with Disneymania, 'Nobody Loves You' finds no quarrel here.
Stage Review

Drama Masks: Drawing the line

Charles Lewis III -
Opera Parallèle's 'The Pigeon Keeper' took on the costs of xenophobia, while Central Works' 'Push/Pull' tackles toxic masculinity.
Stage Review

Drama Masks: ‘Uncle Vanya’ breathes new life; ‘Cuckoo Edible Magic’ gets stoned

Charles Lewis III -
Chekhov gets a fresh and electrifying update at Berkeley Rep, while SFBATCO delivers an anime-inspired sentient rice cooker battle.
Dance

60 years in, Twyla Tharp’s legendary company still shone like a diamond

Lou Fancher -
'I can still push': 84-year-old choreographer's Cal Performances jubilee program glittered with Glass and Beethoven.
Stage Review

Drama Masks: Time can work against us all

Charles Lewis III -
This is Drama Masks, a Bay Area performing arts column from a born San Franciscan and longtime theatre artist in an N95 mask. I...
Art

Drama Masks: Voices of incarcerated women take center stage at YBCA

Charles Lewis III -
Art exhibit 'The Only Door I Can Open' and Flyaway Productions' 'I Give You My Sorrows' speak out for prisoners' rights.
Stage Review

Drama Masks: Two nights at the Ballet, one hot and one cold

Charles Lewis III -
Weathering scoffs and tiffs at SF Ballet's Opening Night extravaganza, soaking in the provocative joys of 'Manon'
Stage Review

Live Shots: ‘The Lost Inn’ envelops audience in noir faerie intrigue

Jon Bauer and Patty Riek -
Site-specific production at The SF Mint makes it clear why immersive events are having a moment.
Stage Review

Drama Masks: 2025 kicks off with trans visibility center-stage

Charles Lewis III -
Glamorous 'Some Like It Hot' dances up historical inclusion; 'Dragcula' foregrounds the ultimate weapon: joy.
Stage Review

Year on Stage 2024, part 3: Working together is the way forward

Charles Lewis III -
More collaborations, more streaming, more bravery, more meaning—several ways local theatre can face what's ahead.

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