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Wednesday, August 19, 2026

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Stage Review

Drama Masks: A sensitive Julius Caesar, lost in the ’70s shuffle

Marin Shakes' bold, beautiful, but muddled adaptation humanizes an autocrat at the expense of message or meaning.
Stage Review Charles Lewis III -
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Drama Masks: A play every Silicon Valley acolyte should be forced to watch

La Lengua's shockingly current latest. Plus: Tennessee Williams' 'Orpheus Descending' gets a curious switch-up.
Stage Review Charles Lewis III -
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Drama Masks: Forget AI, you’re in ‘Urinetown’ now

Ray of Light's latest triumph is awash with talent. Plus: 'In a Memory Palace' at Z Space used Noh to haunting effect.
Stage Review Charles Lewis III -
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Drama Masks: Olivia Bratko is here to let you know that you’re not crazy

Performer's latest solo show at the Rhino throws everything you can imagine into a wild and funny hour of catharsis.
Stage Review Charles Lewis III -
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Stage Review

Moving through a nine-year dream in Iris Company’s ‘The Still Point’

Skylar Wolff -
Choreographer Sophia Stoller inventively immersed watchers in liminal moods and dramatic gestures at SOMArts.
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Stage Review

Drama Masks: Drag haven Oasis reopens with a bang—and some questions

Charles Lewis III -
Plus: 'Beauty and the Beast' is a tale as old as time, and 'The Prince, Part 1' sets wily classic in motion.
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Stage Review

Drama Masks: Who ya gonna call? ‘Scabmuggers’

Charles Lewis III -
As job-stealing AI creeps onto the local theater scene, Yvonne Martinez's new play dives into labor politics.
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Dance

Nodding to tech conformity, ‘Escapement’ charted how relationships transform us

Lucia Verzola -
Tether Dance Project's time-bending, high-energy, first full-length work showed promise of what's to come.
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Stage Review

Drama Masks: SF Mime Troupe marches forth through country’s ‘Wreckage’

Charles Lewis III -
Religious prurience meets the surveillance state in company's latest free show. Happy Birthday, America!
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Stage Review

Drama Masks: Send in the clowns, they’re already here

Charles Lewis III -
Circus Bella sticks to thrilling formula while adding new tricks, making a statement without flipping into politics.
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Stage Review

Drama Masks: A Golden Thread wending from war to Bard

Charles Lewis III -
Very queer 'As You Like It,' taut and intimate 'Arab Spring,' and protest-minded 'I C U (I See You)' all had one thing in common.
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Stage Review

Drama Masks: Love will literally tear us apart

Charles Lewis III -
Greek classics 'Bacchae' from Bard Theatre and 'Elektra' at SF Opera prove bloody and loud. Plus: Gay Men's Chorus did Dolly.
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Stage Review

Drama Masks: Aurora Theatre tiptoes back onstage after closure

Charles Lewis III -
... but another East Bay institution bids adieu. Plus: SF Opera's 'The Barber of Seville' lands the slapstick, needs more 'Figaro.'
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Onstage

Live Shots: Fou Fou Ha!’s erotic clownery reminded us that pleasure is resistance

Jon Bauer and Patty Riek -
With 'The Nectar' at Palace Theater, the longtime sexy burlesque troupe offered a voluptuous answer to oppression.
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Stage Review

Drama Masks: Berkeley Rep’s ‘The Lunchbox’ is a delicious charmer

Charles Lewis III -
Plus: 'Phantom of the Opera' descends on a new haunt, and 'Becoming a Man' faces transition head on.
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Stage Review

Drama Masks: Taking an inch… and finishing the hat

Charles Lewis III -
'Hedwig and the Angry Inch' at NCTC cranks things up and down. Plus: The colorful drama of SFMOMA's 'Woman in a hat'
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Stage Review

Drama Masks: Staged in a senior community center, this tale left a lasting sting

Charles Lewis III -
'Lay My Burden Down' took up urgent concerns, with puppets. Plus: Alicia Keys' angelic 'Hell's Kitchen' hits familiar heights.
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Stage Review

Drama Masks: Get in, loser, we’re going to the theater

Charles Lewis III -
Changes are afoot on local stages—and 'Mean Girls' run amok at Ray of Light. Plus: 'Orpheus' retold, via storefront psychic
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Stage Review

Drama Masks: ‘Hamnet’ is gorgeous, but how was Shakespeare’s sausage made?

Charles Lewis III -
Plus: 'Bloodlines' promises resistance, and SF Ballet's techno AI blockbuster 'Mere Mortals' returns, trailing cultural import.
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