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Wednesday, July 22, 2026

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Stage Review

Drama Masks: Drag haven Oasis reopens with a bang—and some questions

Plus: 'Beauty and the Beast' is a tale as old as time, and 'The Prince, Part 1' sets wily classic in motion.

Drama Masks: Who ya gonna call? ‘Scabmuggers’

As job-stealing AI creeps onto the local theater scene, Yvonne Martinez's new play dives into labor politics.

Nodding to tech conformity, ‘Escapement’ charted how relationships transform us

Tether Dance Project's time-bending, high-energy, first full-length work showed promise of what's to come.

Drama Masks: SF Mime Troupe marches forth through country’s ‘Wreckage’

Religious prurience meets the surveillance state in company's latest free show. Happy Birthday, America!

Drama Masks: Send in the clowns, they’re already here

Circus Bella sticks to thrilling formula while adding new tricks, making a statement without flipping into politics.

Drama Masks: A Golden Thread wending from war to Bard

Very queer 'As You Like It,' taut and intimate 'Arab Spring,' and protest-minded 'I C U (I See You)' all had one thing in common.

Drama Masks: Love will literally tear us apart

Greek classics 'Bacchae' from Bard Theatre and 'Elektra' at SF Opera prove bloody and loud. Plus: Gay Men's Chorus did Dolly.

Drama Masks: Aurora Theatre tiptoes back onstage after closure

... but another East Bay institution bids adieu. Plus: SF Opera's 'The Barber of Seville' lands the slapstick, needs more 'Figaro.'

Live Shots: Fou Fou Ha!’s erotic clownery reminded us that pleasure is resistance

With 'The Nectar' at Palace Theater, the longtime sexy burlesque troupe offered a voluptuous answer to oppression.

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Drama Masks: Berkeley Rep’s ‘The Lunchbox’ is a delicious charmer

Plus: 'Phantom of the Opera' descends on a new haunt, and 'Becoming a Man' faces transition head on.

Drama Masks: Taking an inch… and finishing the hat

'Hedwig and the Angry Inch' at NCTC cranks things up and down. Plus: The colorful drama of SFMOMA's 'Woman in a hat'

Drama Masks: Staged in a senior community center, this tale left a lasting sting

'Lay My Burden Down' took up urgent concerns, with puppets. Plus: Alicia Keys' angelic 'Hell's Kitchen' hits familiar heights.

Drama Masks: Get in, loser, we’re going to the theater

Changes are afoot on local stages—and 'Mean Girls' run amok at Ray of Light. Plus: 'Orpheus' retold, via storefront psychic

Drama Masks: ‘Hamnet’ is gorgeous, but how was Shakespeare’s sausage made?

Plus: 'Bloodlines' promises resistance, and SF Ballet's techno AI blockbuster 'Mere Mortals' returns, trailing cultural import.

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Joffrey Ballet plunged into bizarre and wondrous ‘Midsummer’s Night Dream’

Gags, puns, allusions, and bodies flew as storied company literally made hay with beloved fantasia.

Drama Masks: From another time of terror, ‘Burden of Proof’ urges to fight and fear not

Alleluia Panis' latest dance follows a Pilipina nurse snatched off the streets and wrongly incarcerated.

Drama Masks: Of tyrannical kings and dancing kilts

SF Ballet's 'La Sylphyde' goads us to run to the woods; NCTC's 'how to make an American son' picks at the myth of meritocracy

Alvin Ailey’s annual Berkeley run brought further ‘Revelations’

Revered African American dance company set sail for 'Jazz Island,' tackled a table-top 'Embrace,' and renewed a stone classic.

Drama Masks: Keeping the monsters of the world at bay

Perk yourself up with 'Lost in Yonkers' or 'Compton's' riot. Meanwhile, Berkeley Rep's 'The Monsters' tells a sadly familiar tale.

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