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Wednesday, May 7, 2025

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PerformanceStage Review

Stage Review

Stage Review

Drama Masks: The fight is just beginning

Charles Lewis III -
SF Mime Troupe needs our help. Plus: 'Simple Mexican Pleasures,' 'The Last of the Love Letters,' 'Shameless Hussy' reviewed.
Comedy

From Kennedy Center to Berkeley Rep, W. Kamau Bell still rides ‘that curiosity thing’

Lou Fancher -
'Going in there to be myself and make my positions clear is my way of protesting,' says the comedian on 'Who's With Me?' tour
Stage Review

Drama Masks: ‘Two Trains Running’ is an electrifying triumph

Charles Lewis III -
August Wilson's dialog drives an epic critique of Black capitalism at ACT. Plus: Hilarious heathens of Killing My Lobster go all in for sin.
Stage Review

After a shattering loss, Alvin Ailey danced to revelatory heights at Zellerbach

Lou Fancher -
The company's 57th annual Berkeley run was dedicated to legendary dancer-director Judith Jamison, and polished off some true gems.
Stage Review

Drama Masks: Walking in circles

Charles Lewis III -
Shocking banality of evil in 'Here There Are Blueberries' and an Armenian cry against injustice, with puppets, in 'Azad.'
Stage Review

Drama Masks: Performative politics

Charles Lewis III -
SF Ballet's 'Van Manen' renders the art form accessible and Izzard crunches 'Hamlet,' while 'the boiling' offers a magnetic pandemic tale.
Stage Review

Drama Masks: Hypnotic maritime flamenco, messages in a bottle

Charles Lewis III -
Dance tells a yarn in 'Songs from a Sinking Ship.' Plus: How did the city's stages acknowledge Trans Visibility Day?
Stage Review

Drama Masks: Dreamlike delivery of prim-and-proper trans history in ‘I Am My Own Wife’

Charles Lewis III -
Plus: SF Ballet's 'Frankenstein' was a Gothic, if not great, delight and Killing My Lobster's new 'fun run' rips and roars.
Stage Review

Drama Masks: Fear not the fan

Charles Lewis III -
Coleman Domingo's 'Wild With Happy' blends Black Baptist sensibility with Disneymania, 'Nobody Loves You' finds no quarrel here.
Stage Review

Drama Masks: Drawing the line

Charles Lewis III -
Opera Parallèle's 'The Pigeon Keeper' took on the costs of xenophobia, while Central Works' 'Push/Pull' tackles toxic masculinity.

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