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Thursday, April 18, 2024

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Tagged with: Roxie

Screen Grabs: Freedom, and other compromised concepts

Liberation and constraint, from Belgian playgrounds and the back alleys of Chad to Ted Kaczynski's paranoid manifesto.

Screen Grabs: From silents to Noise Pop, setting old scores and new

Hendrix in Maui, Chaplin at the Paramount, Aelita the Queen of Mars, Gwar, and more movies mix with music.

Screen Grabs: Embarcadero Center Cinema is gone, but there are revivals aplenty

Mourning another rep house gone, and looking forward to old school movies—brilliant, romantic, cheesy, and beastly.

Screen Grabs: ‘Who We Are’ lays out just how much racial justice has stalled

Plus: Poetic 'Why is We Americans,' listless 'Sundown,' rousing 'The Conductor'—and 'Guess Who's Coming to Dinner,' too.

Screen Grabs: Indiefest adds thematic heft to the usual wild fun

Black rage, migrant mystery, and sex-trafficking revenge join cat daddies, Airsteam trailers, and 'Mother Schnuckers' this year.

Screen Grabs: ‘Simple Passion’ is French, explicit, and kind of meh

Plus: A ludicrous new Woody Allen movie, Poly Styrene's life gets x-rayed, Italian youth speak out

Ficks’ Picks Epic List: Our favorite films of 2021 (or so)

A mega-countdown of recommended movies, videos, and even double features recently released

Screen Grabs: Help, there’s a yak in the classroom

A film from Bhutan heads to the Oscars. Plus: 'The Jockey,' 'Bad Luck Banging or Loony Porn,' and the final film from Jóhann Jóhannsson

Screen Grabs: ‘Lost Daughter’ dares to explore maternal instinct’s absence

Plus: 'Nightmare Alley' intrigues, 'Margrete: Queen of the North' engrosses, and 'Revolution of Our Times' inspires.

Screen Grabs: Looking back at Chaplin—and ahead to International Oscar noms

New biopic digs in. Plus: Slovenia's sweet 'Sanremo,' Chile's chilling 'White on White,' Japan's 'Drive My Car'—and 'Afrofuturistik' hits big screens