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Monday, July 14, 2025

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Tagged with: Roxie

Screen Grabs: Forget those Oscars, let’s go to Berlin & beyond

The Oscars are this Sunday, which ceremony will provide its annual mercy-killing service of putting a stop to the endless “awards season” talk—at least...

Indiefest electrifies with punk and sci-fi royalty, surreal thrillers, local debuts

SF Indiefest (Wed/29-February 13) may not look backward a great deal, but when it does, it has to be the right fit for a festival...

Sights set globally, Noir City dives into ‘a bitter little world’

No longer jailbait, but surely full of other moral and criminal sandtraps for the unwary protagonist, Noir City (Fri/24-February 2 at the Castro Theatre) hits...

Screen Grabs: A very contemporary Les Misérables

This very random week at the movies features two big franchise reboots. Doolittle is from writer-director Stephen Gaghan, previously associated with such very grown-up...

Screen Grabs: New year, death row

January is generally considered a dumping ground for unloved movies, squeezed in to fill any space remaining by Christmas and awards-bait major releases still...

Screen Grabs: Homage to a gorgeous legend + 2019’s best films

We’ve gotten to the point where icons of the 1960s are now dying off of old age, and last month that number was joined...

Screen Grabs: The (first world) war on Christmas

In years past it’s seemed customary for Christmas to bring some shiny presents for moviegoers—a mainstream comedy or two, probably some Disney opus, maybe...

Screen Grabs: Bombshells, Cats, and Star Wars—must be holiday time

As we are now single-digit shopping days from Xmas, the really big multiplex presents are arriving, whether they were on your wish list or...

Screen Grabs: Fake news from Clint Eastwood and Imelda Marcos

As impeachment proceedings move forward, suggesting there might yet be room for truth in politics after all, the week’s major new commercial arrival (apart...

Screen Grabs: Strange fantasies, just before the holidays

This week was so packed, we separated the revival and rep-house screenings into a separate feature (here). What’s left is a particularly idiosyncratic array...