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Friday, April 19, 2024

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Elaine Elinson

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‘Where would we be without the Isley Brothers?’

“Where would we have been without the Isley Brothers?”  Paul McCartney asks, clutching the mike and turning to guitar player Ernie Isley. “We would...

“What does it mean to be a good person?”

ONSTAGE Isn’t trampling other people exhausting work? The vein on your forehead bulges from the strain of being greedy. This is the question that Shen Te, a...

Wilkommen to the ever-relevant ‘Cabaret’

ONSTAGE Probably most of us can remember the first time we saw Cabaret (at SF Playhouse through September 14). For many it would have been the...

Review: In ‘Oedipus El Rey,’ the wrecks of myth and mass incarceration

ONSTAGE Ten years after Oedipus El Rey premiered at the Magic Theatre, Luis Alfaro’s drama is being staged there as a legacy revival, again directed by...

Review: Herd mentality writ large (and snorting) in ‘Rhinoceros’

ONSTAGE If you think it unlikely that an absurdist comedy about raging rhinoceroses in a small French town could resonate deeply with the concerns...

Review: Tuskegee Airmen take flight again in ‘Black Eagles’

ONSTAGE Black Eagles (through March 31 at Marines' Memorial Theatre), now being staged by the African-American Shakespeare Company and directed by L. Peter Callender, illuminates...

Review: Carrying the weight of diaspora in ‘Her Portmanteau’

ONSTAGE A young woman frantically shouts into a graffiti-scrawled pay phone in a shabby airline terminal. She clutches a green handbag and tries to keep...

Review: ‘Fiorello!’ sets the LaGuardia legend to rousing music

ONSTAGE For those unfamiliar with Fiorello LaGuardia, the friend-of-the-working class Republican who fought Tammany Hall to become the 99th Mayor of New York City, the...

Review: In ‘Seascape,’ a day at the beach—with giant lizards

ONSTAGE Sparkling white sands spilling over the stage. Tufts of spindly sea grass. The sound of waves breaking gently in the distance, accompanied by...

Review: A marvelous Chinatown ride in ‘King of the Yees’

ONSTAGE In one intriguing scene in King of the Yees (at SF Playhouse through March 2), the Sichuan Face Changer (Jomar Tagatac) poses a...