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Sunday, November 24, 2024

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Emily Wilson

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Emily Wilson lives in San Francisco. She has written for different outlets, including Smithsonian.com, The Daily Beast, Hyperallergic, Women’s Media Center, The Observer, Alta Journal, The San Francisco Chronicle, California Magazine, UC Santa Cruz Magazine, and SF Weekly. For many years, she taught adults getting their high school diplomas at City College of San Francisco. She hosts the short biweekly podcast Art Is Awesome.
Onstage

In ‘Rusalka,’ water nymphs, a frog king, and humanity’s destructive nature

ONSTAGE Leah Hausman worked on Antonín Dvořák’s Rusalka with Sir David McVicar five years ago for the Lyric Opera of Chicago. Now she is directing the...
Onstage

Tracing how Silicon Valley treats women in ‘The Fit’

ONSTAGE Carey Perloff started off as a playwright. Then she was named artistic director of the Classic Stage Company in New York, before coming to...
Culture

Stern Grove Festival changes family hands—but not its free music mission

When Dr. Douglas Goldman went to the Stern Grove Festival as a child, he remembers cherry trees in the concert meadow with tables arranged...
Onstage

‘Oedipus’ incarcerated: Esteban Carmona plays imprisoned tragic hero

ONSTAGE When you watch the Greek tragedy of Oedipus, you know how it’s gong to end. Oedipus, suffering from hubris, will kill his father and...
Onstage

‘The Bald Soprano’: A perfect hour of absurdity returns, fire chief and all

ONSTAGE Ten years ago, Rob Melrose, who founded the Tenderloin’s Cutting Ball Theatre with his wife Paige Rogers, translated and directed Eugene Ionesco’s absurdist...
Onstage

Kronos Festival celebrates Bayview women, Malian griot, Howard Zinn

The four members of storied SF  Kronos Quartet are in their studio in the Inner Sunset, struggling to perfect the piece they’re playing. Should...
Onstage

Cal Shakes begins new season fostering fresh voices in theater

The people working at California Shakespeare Theater go all in when it comes to equity and inclusion. That means along with its program to expand...
Onstage

‘The Good Book’ presents a shifting take on Bible study

Nearly every day the writers made changes to the script of The Good Book, says Lance Gardner, a cast member of the play. Lisa Peterson co-wrote...
Onstage

‘We Have Iré’ celebrates the Afro-Cuban immigrant experience—and challenge

ONSTAGE Paul Flores grew up in Chula Vista, California, near the Mexican border. His single mom worked a lot, and his grandmother was a central...
Dance

Dancing to a different Russian in ‘Shostakovich Trilogy’

ONSTAGE Dmitri Shostakovich’s music isn’t typical for a ballet. That’s because of shifts in the tone and tempo, says Sasha De Sola, a principle dancer...
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