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Thursday, May 9, 2024
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48 hills
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Genevieve Quick
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Genevieve Quick is an interdisciplinary artist and arts writer. Her writing has appeared in Artforum, cmagazine, and Art Practical.
Art Review
‘Dismantling Monoliths’ poetically highlights the right to turn yourself away
February 27, 2023
Curator Jamil Hellu and artists' show at SF Camerawork balances intimacy, consent, and restraint.
Art Review
From Trump to tenderness, Gillian Laub’s ‘Family Matters’ explores reaching out
January 26, 2023
At the Contemporary Jewish Museum, the photographer documents turbulent years in her family and country
Art Review
Artist, mother, wife, and cat: SFMOMA Joan Brown retrospective celebrates a shapeshifter
November 24, 2022
Beginning within the Bay Area Figurative Movement, Brown's career defies simple classification.
Art Review
New Institute for Contemporary Art kicks off with Jeffrey Gibson’s vibrant ‘This Burning World’
November 2, 2022
Bold patterns and dreamy imagery point to questions about the complexities of identity and a threatened ecology
Art Review
In ‘Do Not Fold, Spindle, or Mutilate,’ rule-breaking becomes the rule
October 18, 2022
Dual gallery exhibition deploys deadpan humor and incongruous selfie sticks. Could it have taken the transgression further?
Art Review
Self-healing and magic crystallize in ‘SALT to CATCH GHOSTS’
September 30, 2022
At /(slash), Black women control and direct energy in a gathering of striking works curated by Ashara Ekundayo
Art Review
SFAI faculty member Carlos Villa’s hybrid legacy honored in two shows
August 18, 2022
Luscious cloaks and tributes to SoMa's I-Hotel assert mystical pageantry of unsung histories.
Art Review
Amid community trauma, ‘Elegies’ at MoAD holds space for poignant beauty
August 5, 2022
Everyday objects take on meaning beyond the ordinary, bridging art history and contemporary culture to heal loss
Art Review
Unexpected reveries, as physical meets otherworldly in ‘Antidote’
July 28, 2022
Provocative group show at Aggregate Space Gallery features mechanically raked Zen garden, texture-mapped CGI women
Art Review
Enter Aimée Beaubien’s delightfully messy, exuberant ‘Matter in the Hothouse’
July 6, 2022
At SF Camerawork, the artist weaves and transforms her photographs into an immersive, otherworldly garden
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