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Tuesday, March 31, 2026

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Genevieve Quick

Genevieve Quick
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Genevieve Quick is an interdisciplinary artist and arts writer. Her writing has appeared in Artforum, cmagazine, and Art Practical.
Art

Review: Amanda Curreri quilts lesbian history into art with ‘Terra Tools’

Using images from Cincinatti's "Dinah" newsletter, the artist fabricates queer milestone markers at Romer Young
Art

Review: In Root Division’s ‘A Joy Unexpected,’ release in myriad forms

Curator Tavarus Blackmon presents a stunning show that delves into the palpability of relief after trauma
Art

Review: Miguel Arzabe’s ingenious hybridizations summon mythic forces

At Johansson Projects, the Oakland artist weaves a space where Western abstract painting meets indigenous craft
Art

Review: Vibrant varieties of artistic experience in ‘Ambiguities of Blackness’

In the first of five exhibitions that will showcase the recipients of Minnesota Street Project Foundation's inaugural granting program for Black artists and cultural...
Art

Review: ‘Nam June Paik’ presents a playful prophet of the Electronic Superhighway

Exhilarating SFMOMA retrospective showcases Korean artist's groundbreaking video work (and human connections)
Art

Review: Eerily empty Art Institute campus stars in Lindsey White’s ‘What? Is? Art?’

The photographer known for her wry eye gets personal, documenting her community's precarious traces
Art

Review: Clare Rojas’ cosmologies of uncanny animal intelligence and mystery

Soft-launching Jessica Silverman's Chinatown gallery, 'Here We Go' shades folkloric vignettes with dark energy
Art

Review: Visceral silicone and resin expressions pour forth in ‘Gutz’

Local artist Sophronia Cook and Mexican duo ASMA conjure intriguing carnality at Et al.
Art

Review: In ‘Uncanny Valley,’ disturbing ripples from artificial intelligence

Excellent De Young show reveals technology's ties to oppressive tactics—and art's to the arms trade
Art

Review: CULT’s anniversary show finds courage to examine past and present

James Perkins' Black minimalism and Chris Fallon's time-skipping depictions of women's forms stand out at "Janus II."
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