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Wednesday, September 22, 2021

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Peter-Astrid Kane

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A farewell to SF Weekly

Editing San Francisco's last alt-weekly paper was probably the most fun I will ever have in my life.

The world’s drowning in plastic. Does ‘In Balance’ offer a liferaft?

Heron Arts group show beckons to a path beyond post-apocalyptic art.

OPINION: Ending car-free Great Highway is a mistake, especially now

Curtailing a beloved open space as Delta rages on is terrible timing and a community detriment.

I finally paid off my student loans at 40. No one should go through this

Not even winning on 'Who Wants To Be A Millionaire' helped me outrun Navient and condescending bootstrapper-types

The curious case of the Gray Lady and the Museum of Sentimental Taxonomy

The New York Times denies awareness of Kija Lucas's ongoing project as it launches a very similar feature. The artist calls BS.

Swaggering legends, thrilling myths at Transgender Film Fest 2020

History, heroism, and even horror meet in an all-digital compendium of seven original programs that tell a community's stories.

‘Rogue’ party uproar shows tech, journalism’s COVID-19 limits

As unpleasant as it is to find out that swans are not in fact mating-for-life in Venetian canals next to frolicking dolphins, it’s doubly...

Bingeing on dystopia: The politico-cultural decade in review

Gore Vidal once remarked that the three saddest words in the English language were “Joyce Carol Oates,” but from the vantage point of late...

Chatting by cell: ‘Uncuffed’ is a prison podcast for our time

As setups to Thanksgiving jokes go, a manic wild turkey that burst into a California prison compound seems almost too on-the-nose, considering how two...

Finnish your drinks

“Hyvää joulua” might not roll off the tongue as mellifluously as “Mele Kalikimaka,” but it is indeed the thing to say on a dark...