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Friday, July 26, 2024

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Tagged with: Horror

Screen Grabs: Forget those soggy superheroes — ride with some real renegades

Chytilova, Shimizu, Mailer, Eno, and a Mountain Queen get rebellious. Plus: Two meh new horror flicks, two great old ones.

Screen Grabs: Magical realism rains down from Argentina, Senegal, North Carolina

Three new films transcend storytelling's usual limits. Plus: Macabre 'Oddity' impresses, 'July Rhapsody' delights.

Screen Grabs: Migrants snagged in a deadly web of politics at ‘Green Border’

Plus: 'Longlegs' offers solid thrills, 'The Convert' tackles New Zealand colonization, Frozen Film Fest crackles, more movies

Screen Grabs: ‘Taking Venice’ questions 1960s US avant-gardists’ possible Cold Warfare

Plus: 'MaXXXine' just may over-rely on Mia Goth and 'Last Summer' spins Ms. Robinson tale into trainwreck.

Screen Grabs: ‘Janet Planet,’ and other cosmic mysteries of the human relationship

'Chestnut' and 'This Closeness' dig into contemporary 20something affairs; 'The Devil's Bath' goes back to 1750.

Media Week: Why is Haney’s dubious campaign spending not a bigger story?

Plus: If SF is the worst-run city in the country, the data doesn't show it.

At 94, ‘Thelma’ star June Squibb is ‘breaking every rule ever made’

'I wanted to do as much as I could,' says feisty film and stage veteran of first solo starring role in action movie.

Screen Grabs: Frameline LGBTQ+ Film Fest pops out of the box for Pride

A Juneteenth Block Party, new venues, films from around the world, and even a couple of gay lions this year.

Screen Grabs: A joyful reunion at 20th Queer Women of Color Fest

LGBTQ+ movie season bursts to life. Plus: 'Bound' returns, Film Noir classics, Valie Export celebrated, more

When is a flute not a flute? SF Opera’s ‘Magic Flute’ pipes a wild tune

A blizzard of visual distractions—welcome, overwhelming—marks Suzanne Andrade's cinematic production.