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Sunday, December 22, 2024

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Tagged with: Horror

Movies

Screen Grabs: Migrants snagged in a deadly web of politics at ‘Green Border’

Dennis Harvey -
Plus: 'Longlegs' offers solid thrills, 'The Convert' tackles New Zealand colonization, Frozen Film Fest crackles, more movies
Movies

Screen Grabs: ‘Taking Venice’ questions 1960s US avant-gardists’ possible Cold Warfare

Dennis Harvey -
Plus: 'MaXXXine' just may over-rely on Mia Goth and 'Last Summer' spins Ms. Robinson tale into trainwreck.
Movies

Screen Grabs: ‘Janet Planet,’ and other cosmic mysteries of the human relationship

Dennis Harvey -
'Chestnut' and 'This Closeness' dig into contemporary 20something affairs; 'The Devil's Bath' goes back to 1750.
Media

Media Week: Why is Haney’s dubious campaign spending not a bigger story?

Tim Redmond -
Plus: If SF is the worst-run city in the country, the data doesn't show it.
Movies

At 94, ‘Thelma’ star June Squibb is ‘breaking every rule ever made’

Pam Grady -
'I wanted to do as much as I could,' says feisty film and stage veteran of first solo starring role in action movie.
Movies

Screen Grabs: Frameline LGBTQ+ Film Fest pops out of the box for Pride

Dennis Harvey -
A Juneteenth Block Party, new venues, films from around the world, and even a couple of gay lions this year.
Movies

Screen Grabs: A joyful reunion at 20th Queer Women of Color Fest

Dennis Harvey -
LGBTQ+ movie season bursts to life. Plus: 'Bound' returns, Film Noir classics, Valie Export celebrated, more
Stage Review

When is a flute not a flute? SF Opera’s ‘Magic Flute’ pipes a wild tune

Charles Lewis III -
A blizzard of visual distractions—welcome, overwhelming—marks Suzanne Andrade's cinematic production.
Movies

Screen Grabs: Past pieties, present violence, future songs

Dennis Harvey -
Intricate 'Kidnapped,' gory 'In a Violent Nature,' and gorgeous 'Songs of Earth' span the chronological spectrum.
Stage Review

Life ends at 30? It’s complicated (and very Gen X) in ‘tick, tick… BOOM!’

Charles Lewis III -
Jonathan Larson's musical, which itself is turning 30, documents an artist's frustrations at a transitional age.
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