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Friday, April 26, 2024

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Tagged with: Internet

1984—the year pop music shot to the stratosphere

As the 40th anniversary releases and tributes roll out, revisiting a year of barrier-busting giants.

Tehran-born artist Sameh Khalatbari strings resistance into every work

Deeply felt homages to Iran's Women, Life, Freedom protest movement emanate from her San Ramon studio.

Oh the (budget) horrors! Unnamed Film Fest gave us Frogman, Flesh Games, more frights

'The vomit and farts were real,' one director claimed at a post-show Q&A at Balboa Theatre.

The eerie detritus, AI omens of ‘Daemonomania’

Anthony Discenza's show at Et al. encourages reflection on the mess in which we find ourselves.

Seattle’s storied KEXP tunes in to the Bay: here’s what to expect

Radio station's chief programming officer shares what's on their dial.

Under the Stars: Forget Macy’s—look to our musical ecosystem for SF’s revival

When I attended Sweater Funk, the iconic San Francisco night that celebrates boogie, two-step, and modern funk—strictly on vinyl, mind you—on March 2, it...

Cops and judges can’t get away with violating reporters’ First Amendment rights

The latest attack on press freedom by the SF cops shows the need for vigilance—and accountability.

Lampooning the foibles of amity in ‘Look! We Have Friends!’

Killing My Lobster's latest comic adventure takes aim at Dale Carnegie, Hello Fresh, and the scent of Ben Shapiro.

André 3000, Suzanne Ciani, and the evolving creative mind

What happens when an artist swerves? How does a trailblazer stay relevant after 40 years? Two shows raised satisfying answers.

Arts Forecast: The cool, clear eye of Wolfgang Tillmans

Plus: Flatstock, Afrolicious, Conrad Tao, Luis Miguel Garcia-Mispireta, Branford Marsalis, Chiquimamani-Condori, more