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Friday, April 26, 2024

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Tagged with: Screen Grabs

Screen Grabs: Andy Warhol’s brilliant camp

SCREEN GRABS Andy Warhol was the man who sold the world on Pop Art in the 1960s, and much of that success lay in...

Screen Grabs: A ‘sex raft’ run amuck

SCREEN GRABS The big news in Bay Area moviegoing this week is the annual arrival of the Frameline LGBTQ film fest, which we previewed here....

Screen Grabs: She’s the Official Coolest Person Ever

SCREEN GRABS Here’s something you don’t normally see mid-summer at the multiplex: Simultaneous openings of two movies with Emma Thompson. Neither are exactly Howard’s...

Screen Grabs: Last Black Man in San Francisco, Mexico’s Golden Age ….

SCREEN GRABS In addition to SF Cinematheque’s annual Crossroads showcase for experimental work at SFMOMA (see Jesse Hawthorne Ficks' preview this week) and the continuation...

Screen Grabs: Going big, from Woodstock to Godzilla

SCREEN GRABS Bigger is presumably better this week, with Godzilla: King of the Monsters (the third Hollywood film about the critter who’s starred in...

Screen Grabs: ‘War and Peace’ thrills in its gargantuan spectacle

The movies suffered an approximately 15 year case of elephantiasis starting in the early 1950s, when television began to seriously impact box-office returns. Hollywood’s...

Screen Grabs: Lessons from the dictatorship mark ‘The Silence of Others’

SCREEN GRABS This week brings the arrival of John Wick: Chapter 3—Parabellum, the latest entry in what’s been one of the few action-oriented franchises worth...

Screen Grabs: All weekend long, the Roxie celebrates French noir

SCREEN GRABS If you’re not busy this week with CAAM (see our preview here), there’s a competing mini-festival of sorts which overlaps with it just...

Screen Grabs: The Nude Vampire, Babylon, Gay USA…

SCREEN GRABS For those not glued all weekend to the SF Silent Film Festival (see our preview here), there’s actually another film festival to consider:...

Screen Grabs: A seriously funny Italian legend, JT LeRoy, Hail Satan?

SCREEN GRABS Though he never reached the heights of international fame achieved by such fellow countrymen as Marcello Mastroianni or Franco Nero, Ugo Tognazzi was...