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Saturday, December 14, 2024

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Tagged with: Shotgun Players

Stage Review

Promising ‘Richard II’ doesn’t quite take the crown

Charles Lewis III -
... and with this cast and stage design, that's a true historical tragedy.
Stage Review

‘Collective Rage’: 5 Betties, a puppet, a vaginal hand mirror, and some yummy ice cream

Charles Lewis III -
Laughing to keep from crying at Shotgun Players' production of Jen Silverman’s play.
Stage Review

‘Best Available’: For theater lovers, uncomfortable in all the right ways

Charles Lewis III -
Shotgun Players' production wends through the tangle of absurdities of being artistic in a capitalist world.
Stage Review

Shotgun’s ‘Midsummer’ misfires with broad caricatures, ‘Family Guy’ gags

Charles Lewis III -
The chemistry is good, but director William Hodgson buries Shakespeare's classic in "go big" gestures.
Stage Review

Don’t wake up from SF Ballet’s ‘Midsummer Night’s Dream’ too soon

Charles Lewis III -
Costumes by Christian LaCroix and excellent dancing quickly put viewers under Balanchine and Shakespeare's spell.
Stage Review

‘Babes in Ho-lland’: Black lesbians deserve cute rom-coms, too

Charles Lewis III -
Unexpected love in the college dorm brings up memories of '90s sitcoms in Shotgun Players' latest.
Arts + Culture

Ignore the plot: ‘The Great Comet’ seeks to entertain

Charles Lewis III -
With a cast of two dozen, the Shotgun Players have a blast. Shame about the dropped COVID restrictions.
Stage Review

‘Man of God’: High school avengers seek to slay for thousand sexist cuts

Charles Lewis III -
Trigger warning: This review and the production it covers address the topics of sexual harassment, sexual assault, incest, and eating disorders. At the traditional pre-show...
Stage Review

The buck stops and/or starts with gentrification in ‘Dream Hou$e’

Charles Lewis III -
Two sisters must decide to preserve a family legacy or jump at a possible payday in Shotgun Players' latest
Onstage

Review: Vivid ‘Passing Strange’ gets a timely revival from Shotgun Players

Charles Lewis III -
Stew's 2007 musical is an essential expansion of Black representation—stretched out, however, it loses some power
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